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PORTOROZ-PORTOROSE INTERNATIONAL BALLET COMPETITION

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Regulations

1. GENERAL PROVISIONS

1.1.
The 1st Portorož – Portorose International Ballet Competition is organised by the Slovenian Ballet Artists Association and Avditorij Portorož – Portorose (hereinafter: the Organiser), with the support of the Ministry of Culture of the Republic of Slovenia and the Municipality of Piran. The Competition will take place from 13 to 18 July 2027. It is open to ballet dancers of all nationalities who meet the requirements set out in these Regulations.
1.2.
Competitors shall participate in three age categories:
JUNIORS: aged 15–18 on the opening day of the Competition, 13 July 2027;
YOUNG PROFESSIONALS: aged 19–22 on the opening day of the Competition, 13 July 2027;
SENIORS: aged 23–26 on the opening day of the Competition, 13 July 2027.
Competitors shall be adjudicated and ranked individually in all age categories. No separate categories based on gender shall apply.
1.3.
The Competition will consist of two competition rounds held at the open-air theatre of Avditorij Portorož – Portorose (the Amphitheatre) in Portorož. The stage is fitted with a wooden sprung floor covered with Harlequin Allegro vinyl dance flooring. The stage measures 20 × 15 metres, has a clear height of 10–12 metres and is not raked.
1.4.
There is no limit on the number of candidates who may enter the video pre-selection. On the basis of the video pre-selection, the Pre-selection Committee shall admit a maximum of 80 competitors across all three age categories to the First Round. The number admitted in each category is not predetermined and shall depend on the number and quality of applications. The Committee shall endeavour to ensure appropriate representation of all three age categories. The Organiser may admit fewer competitors due to the quality of applications, time constraints or organisational considerations.
1.5.
A maximum of ten competitors with the highest First-Round scores in each age category may advance to the Second Round – Final, subject to an overall maximum of 30 finalists and a minimum qualifying score of 75.00 points. Attaining the minimum score does not in itself guarantee advancement where more than ten competitors in a category score at least 75.00 points. In the event of a tie at the qualification threshold, the Jury shall decide which competitor advances in accordance with the Adjudication Rules.
1.6.
In either round, competitors may perform as soloists or in a pas de deux and may choose a different mode of performance in each round. Adjudication and ranking shall always be individual. In the Final, the contemporary choreography may be performed as a solo or duet. Competition partners may belong to the same or different age categories; each shall be adjudicated in their respective category.
1.7.
A competitor may perform a pas de deux or contemporary duet with a non-competing partner who performs outside the Competition.
1.8.
The Competition will also take place on the Amphitheatre stage at Avditorij Portorož – Portorose in adverse weather, as the entire Amphitheatre is protected by a tensile roof. In the event of heavy rain or strong winds, the Organiser may postpone the starting time of the official Competition programme on the day concerned.
1.9.
On the day following the final competition round, a Gala Ballet Concert will be held featuring competitors selected by the Jury alongside distinguished guest artists.
1.10.
All competitors’ stage rehearsals, all performances forming part of the official Competition programme and the Gala Ballet Concert shall be open to the public. Members of the Jury may not attend competitors’ rehearsals.

2. COMPETITION SCHEDULE

The schedule below is based on the maximum anticipated number of 80 competitors. Depending on the actual number of admitted competitors and other organisational circumstances, the Organiser may adjust the times of individual activities without changing the date of the Gala Ballet Concert.

Date

Time

Programme

12 July

Throughout the day

Arrival, registration and accommodation of competitors

13 July

09:30
11:30
20:30
21:00

Ballet class
Stage rehearsals
Opening Ceremony
First Round – Evening 1

14 July

09:30
11:30
20:30

Ballet class
Stage rehearsals
First Round – Evening 2

15 July

09:30
11:30
20:30
After the conclusion

Ballet class
Stage rehearsals
First Round – Evening 3
Announcement of finalists

16 July

09:30
11:30
20:30

Ballet class
Finalists’ stage rehearsals
Final – Evening 1

17 July

09:30
11:30
20:30
After the conclusion

Ballet class
Finalists’ stage rehearsals
Final – Evening 2
Jury deliberations

18 July

10:00
12:00
21:00

Ballet class for performers
Dress rehearsal
Awards Ceremony and Gala Ballet Concert

19 July

By 10:00

Departure of competitors and non-competing partners

3. COMPULSORY COMPETITION PROGRAMME

The programme requirements below apply equally to the JUNIORS, YOUNG PROFESSIONALS and SENIORS categories.

FIRST ROUND

At their discretion, competitors shall perform either a pas de deux from the classical ballet repertoire, comprising an adagio, variation and coda, or two classical variations selected from the compulsory Competition repertoire listed in Chapter 4. A competitor performing as a soloist shall perform both variations during the same Competition evening.

SECOND ROUND – FINAL

Each finalist shall perform both the classical and contemporary components of the programme during the same Competition evening.

Classical component: the finalist shall perform either a pas de deux comprising an adagio, variation and coda, or two classical variations. The finalist may not repeat in the Final the pas de deux or either of the two variations performed in the First Round. The classical programme for the Final must therefore be entirely different from that performed in the First Round. All classical works must be selected from the compulsory Competition repertoire listed in Chapter 4.

Contemporary component: the finalist shall perform a solo or duet contemporary choreography created within the preceding ten years, i.e. after 13 July 2017. The maximum duration is three minutes for a solo and five minutes for a duet, with a permitted tolerance of up to ten seconds.

ADDITIONAL CONDITIONS

Competitors selected by the Jury to appear in the Gala Ballet Concert must take part in the Awards Ceremony and the Gala Concert. The Jury shall also select the programme they are to perform. Competitors shall not be entitled to a performance fee for appearing in the Gala Concert.
Competitors shall attend the Competition with their own ballet costumes, rehearsal wear, ballet shoes and pointe shoes. They are responsible for preparing their costumes, hair and stage make-up, as the Organiser does not provide hairdressers, make-up artists or dressers.

4. COMPETITION REPERTOIRE

Competitors shall perform, at their discretion, one pas de deux (adagio, variation and coda) or two variations from the compulsory repertoire listed below.

Each pas de deux must be performed in full: entrée, adagio, male variation, female variation and coda.

Variations may also be selected from any of the pas de deux listed below.

A. Ch. AdamGISELLE
    • Variation of Giselle, Act I, Chor. Petipa, music Minkus
    • Pas de deux, Act I, Chor. Perrot, Coralli, Petipa
    • Entree and variation of Myrtha, Act II, Chor. Perrot, Coralli, Petipa
    • Grand pas de deux of Giselle and Albert, Act II, Chor. Perrot, Coralli, Petipa
A. Ch. AdamLE CORSAIRE
    • Pas de deux of Medora and the Slave (Pas d’esclave), Act I, Chor. Petipa
    • Any variation from Odaliskque, Act II, Chor. Petipa
    • Grand Pas de deux, Act II, Chor. Petipa, music Drigo
J. ArmsheimerTHE CAVALRY CAMP
    • Pas de deux of Maria and Peter, Chor. Petipa
J. BayerTHE FAIRY DOLL
    • Female variation from Pas de trois, Chor. S.&N. Legat
F. ChopinLES SYLPHIDES
    • Any variation, Chor. Fokine
R. DrigoAWAKENING OF FLORA
    • Flora variation, Chor. Petipa
R. Drigo

THE PHARAOH’S DAUGHTER

    • Variation of First, Second or Third river from Act 3, Chor. Petipa
    • Aspicia variation from Act 2, Chor. Petipa
    • Fisherman variation, Chor. Petipa
    • Taor variation, Chor. Petipa
R. DrigoTHE TALISMAN
    • Pas de deux, Chor. Petipa
R. DrigoHARLEQUINADE
    • Pas de deux, Chor. Petipa
B. Assafyev

THE FLAMES OF PARIS

    • Pas de deux, Chor. Vainonen
L. DelibesCOPPELIA
    • Pas de deux of Swanilda and Franz, Act III, Chor. Saint -Leon, Petipa
A. GlazounovRAYMONDA
    • Any Raymonda variation, Chor. Petipa
    • Grand pas de deux of Raymonda and de Brienne, Act III, Chor. Petipa
C. PugniESMERALDA
    • Grand Pas de deux, Chor. Petipa
    • Pas de deux of Diana and Acteon, Chor. Vaganova
C. PugniTHE LITTLE HUMPBACKED HORSE
    • Male variation from Pas de trois, Chor. Gorsky/Petipa
    • Male variation from Finale, Chor. Gorsky/Petipa
C. PugniTHE CARNIVAL OF VENICE
    • Pas de deux, Chor. Petipa
H. S. LøvenskjoldLA SYLPHIDE
    • Pas de deux of Sylphide and James, Act II, Chor. Bournonville
L. MinkusLA BAYADERE
    • Variation of Gamzatti, Act II, Chor. Petipa
    • Variation of Solor, Act II, Chor. Petipa
    • Variation of Nikia, Act II, Chor. Petipa
    • Any of three variations of the Shades, Act III Chor. Petipa
L. MinkusDON QUIXOTE
    • Grand pas de deux of Kitri and Basil, Act IV, Chor. Petipa, Gorsky
    • Variation of Kitri, Act I, Chor. Petipa
    • Variation of the Queen of the Driads, Chor. Petipa
    • Variation of the Bridemade, Act III, Chor. Petipa
L. MinkusPAQUITA
    • Variations from the pas de trois, Chor. Petipa
    • Variations from the Grand pas, Chor. Petipa or V. Gsovsky
    • Any other woman variation, Chor. Petipa
D. F. E. AuberGRAND PAS CLASSIQUE
    • Grand Pas classique, Chor. Gsovsky
H. S. PaulliNAPOLI
    • Variations, Chor. Bournonville
H. S. PaulliTHE KERMESSE IN BRUGES or THE THREE GIFTS
    • Pas de deux, Chor. Bournonville
C. PugniSATANELLA
    • Pas de deux, Chor. Petipa
E. HelstedFESTIVAL OF THE FLOWERS IN GENZANO
    • Pas de deux, Chor. Bournonville
P. L. HertelLA FILLE MAL GARDÉE
    • Pas de deux of Lisa and Colin, Act II, Chor. Petipa, Gorsky
A. Saint-LéonLA VIVANDIERE
    • Any of variation
P. I. Tchaikovsky

SWAN LAKE

    • Variation of Odette , Act II, Chor. Lev Ivanov
    • Variation from pas de trois, Act I, Chor. Petipa
    • Pas de deux of Odile and Siegfried, Act III, Chor. Petipa
P. I. TchaikovskyTHE SLEEPING BEAUTY
    • Variation of Lilac Fairy, Act I, Chor. Petipa
    • Variation of Aurora, Act I, Chor. Petipa
    • Variation of Prince Charming (Desire), Act II, Chor. Petipa
    • Variation of Lilac Fairy, Act III, Chor. Petipa
    • Any of variations of precious stones: Gold, Silver, Diamond, Sapphire, Chor. Petipa
    • Pas de deux of Florina and the Blue Bird, Act III, Chor. Petipa
    • Pas de deux of Aurora and Desire, Act III, Chor. Petipa, Sergeev
P. I. TchaikovskyTHE NUTCRACKER
    • Pas de deux of Sugar Plum Fairy and the Prince, Act II, Chor. Vainonen

According to the George Balanchine Trust, choreographic works by George Balanchine may not be performed at competitions. This reflects Mr Balanchine’s express wish, which the George Balanchine Trust continues to enforce strictly.

For all other choreographic works protected by copyright, competitors are responsible for obtaining the performance rights themselves.

Competitors must obtain, themselves and in good time, all authorisations and rights required to perform any other copyright-protected choreography at the Competition.

5. ADDITIONAL INSTRUCTIONS FOR SELECTING THE COMPETITION PROGRAMME

5.1.
Competitors must register a programme for each competition round in accordance with Chapters 3 and 4. A registered programme may be changed only with the Organiser’s prior written approval.
5.2.
In the First Round, competitors must perform either a pas de deux or two classical variations. In the Final, they must perform either a pas de deux or two classical variations, together with a contemporary choreography.
5.3.
A finalist may not repeat in the Final the pas de deux or either classical variation performed in the First Round. Irrespective of the chosen mode of performance, the entire classical programme for the Final must differ from that performed in the First Round.
5.4.
A competitor may change between performing as a soloist and performing in a pas de deux from the First Round to the Final. Competitors shall in all cases be adjudicated individually.
5.5.
A pas de deux may be performed by two competitors from the same or different age categories. A competitor may also perform with a non-competing partner, who is not subject to an age limit and shall not be adjudicated.
5.6.
Contemporary choreography must contain elements clearly distinguishable from classical ballet technique. It may be performed as a solo or duet and must have been created after 13 July 2017.
5.7.
A contemporary solo may not exceed three minutes and a duet may not exceed five minutes. A tolerance of up to ten seconds is permitted.
5.8.
A maximum of five props may be used in a contemporary choreography. All props must be declared in advance and must be capable of being brought onto and removed from the stage safely by the competitor.
5.9.
Where a contemporary choreography begins without musical accompaniment, its duration shall be measured from the first movement. Where it ends without music, its duration shall be measured up to the final movement.

6. MUSIC RECORDINGS

6.1.
Competitors must submit their music recordings using the dedicated form published on the official Competition website no later than fourteen (14) days before the Competition begins.
A competitor may request the replacement of an individual music recording provided that this does not constitute a change to the registered Competition programme. The request must be submitted to the Organiser no later than one (1) day before the Competition performance at which the recording is to be used.
6.2.
Competitors must submit high-quality audio recordings.
6.3.
Music recordings used at the Competition must meet the following technical requirements:
supported audio formats: MP3 with a bit rate of at least 128 kbps, or WAV at 16-bit/44.1 kHz;
although recordings are submitted to the Organiser before arrival, competitors must also bring copies on a USB storage device;
recordings must have an SNR greater than 65 dB (signal-to-noise ratio exceeding 65 decibels);
recordings must be free from audible defects such as clicks, noise, wow, flutter, applause, abrupt endings without a fade-out, and similar faults.
6.4.
Each item of music must be provided as a separate recording.
Each audio filename must clearly state:
the competitor’s full name and the title of the dance item;
the title of the music; and
the round in which it will be performed.

7. STAGE MANAGEMENT REQUIREMENTS

7.1.
Before the Competition begins, competitors must submit all stage-management requirements and instructions for each Competition performance using the dedicated form published on the official Competition website. These must include entrances and their order, lighting requirements, the cue for starting the music and any other information necessary for the correct presentation of the performance.
7.2.
Where lighting changes during a contemporary choreography are synchronised with the music or linked to particular movements, a representative of the competitor should be present at the stage manager’s or production desk during the performance to provide the responsible technical staff with timely and unambiguous cues for each lighting change.
A competitor attending without a representative must describe all such stage-management and lighting changes accurately, clearly and unambiguously in the stage-requirements form submitted in advance.

8. JURY

8.1.
Competitors shall be adjudicated by an international Jury composed of distinguished ballet artists.
8.2.
The Jury shall act in accordance with rules determined or approved by the Organiser. The Jury Rules form an integral part of these Regulations and shall be published on the official Competition website.
8.3.
Decisions of the Jury are final and may not be appealed unless the Jury has breached the Competition Regulations in reaching its decision. An appeal may concern only an alleged breach of the Regulations and not the Jury’s professional judgement, scores or artistic decisions.
A competitor or their authorised representative must submit any appeal to the Organiser in writing, with reasons, no later than one (1) hour after the official announcement of the results of the relevant round. The appeal must clearly identify the alleged breach and the provision said to have been violated. Late, unreasoned or oral appeals shall not be considered.
Once submitted to the Organiser, a Jury decision may not be changed except to correct an evident calculation or administrative error, or following a substantiated appeal in respect of an established breach of the Competition Regulations.
Appeals shall be decided by the Competition Tribunal, whose members shall be appointed by the Competition Organising Committee.
8.4.
No adjudicator may award points to a competitor who is their family member, with whom they otherwise have a close personal relationship, whom they have coached for this Competition, or who is a pupil, student or employee of a dance institution managed by that adjudicator. In such a case, the adjudicator must recuse themselves before adjudication begins; the method of calculating the score without that adjudicator’s vote shall be governed by the Adjudication Rules.

No adjudicator may award points to any competitor who is their family member or with whom they otherwise have a close relationship or whom they have coached for this Competition or who is a student or an employee at a dance institution managed by the adjudicator.

9. ADJUDICATION AND SCORING

9.1.
The Jury shall assess competitors using a 100-point scale, on which the lowest permissible score is 50 points. Jury members shall enter their scores into the computer system immediately after each competitor’s performance. Adjudication shall be conducted in accordance with separate Adjudication Rules adopted by the Organiser.
9.2.
Where a competitor performs two classical variations in the First Round, the Jury shall score each variation separately. The competitor’s final First-Round score shall be the average of the two scores.
9.3.
Where a competitor performs a pas de deux in the First Round, the Jury shall adjudicate the competitor individually and award one overall score for the competitor’s performance of the entire pas de deux.
9.4.
In the Final, the Jury shall score each Competition item separately. Where a finalist performs two classical variations and a contemporary choreography, the Final score shall be the average of all three scores. Where a finalist performs a pas de deux and a contemporary choreography, the Final score shall be the average of the two scores.
9.5.
The First-Round score shall not be carried forward to the Final and shall not affect the ranking of finalists following their Final performance. When deciding awards, the Jury shall consider the competitor’s performances in both competition rounds and the competitor’s overall average score, calculated from the final First-Round score and the final Final-round score.
9.6.
In the event of a tie between two or more competitors, the Jury shall determine the final ranking after deliberation and voting, based on technical quality, artistic interpretation, musicality and versatility across the performances.

10. DISQUALIFICATION

10.1.
By open vote and a majority of at least two thirds (2/3), the international Jury may disqualify a competitor who:
    • fails to perform a generally recognised or established version of a classical choreographic work;
    • does not use a recording of the original orchestral performance for the classical Competition programme;
    • uses an audio recording of insufficient quality that fails to meet the requirements of Chapter 6 of these Regulations – Music Recordings;
    • performs a programme that does not comply with the requirements and prescribed selection of the compulsory Competition programme; 
    • performs a contemporary choreography that exceeds the permitted duration by more than ten (10) seconds.

11. AWARDS

The Jury may award:

GRAND PRIX

one PORTOROŽ – PORTOROSE GRAND PRIX 2027, consisting of EUR 6,000, a gold medal and a diploma. The Grand Prix may be awarded to a competitor in any of the three age categories. The recipient of the Grand Prix shall not also receive the First Prize monetary award in their age category.

AWARDS

Category

First Prize

Second Prize

Third Prize

JUNIORS

EUR 2,000

EUR 1,500

EUR 1,000

YOUNG PROFESSIONALS

EUR 2,500

EUR 2,000

EUR 1,500

SENIORS

EUR 3,000

EUR 2,500

EUR 2,000

SPECIAL AWARDS OF THE ORGANISER

The Slovenian Ballet Artists Association may invite competitors or couples from any age category to perform at the International Ballet Gala Concert in Ljubljana in 2028 or 2029. The recipients shall be selected by the Artistic Council of the Slovenian Ballet Artists Association.
The Slovenian Ballet Artists Association may grant up to three competitors in each age category free participation in the DANCS Ballet Intensive 2028 International Summer Ballet Camp in Portorož. The recipients shall be selected by the Artistic Council of the Slovenian Ballet Artists Association.

ADDITIONAL AWARDS

a. PERFORMANCE AWARDS

The following awards may be presented:

    • Award for outstanding and versatile artistic interpretation of all items performed in the Final in the JUNIORS category: EUR 300 and a diploma for a soloist, or EUR 600 in total and two diplomas for a dance couple.
    • Award for outstanding and versatile artistic interpretation of all items performed in the Final in the YOUNG PROFESSIONALS or SENIORS category: EUR 300 and a diploma for a soloist, or EUR 600 in total and two diplomas for a dance couple.
    • Award for the best partner, whether competing or non-competing, who has participated in both competition rounds: EUR 300 and a diploma.
    • Awards for the youngest female and male finalists in the JUNIORS category: EUR 200 and a diploma for the youngest female competitor and EUR 200 and a diploma for the youngest male competitor.

b. CHOREOGRAPHY AWARDS

The following awards may be presented:

    • Award for the best performance of an original contemporary choreography created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.
    • Award for the best original contemporary choreography created within the preceding five years, i.e. after 13 July 2022, distinguished by the choreographer’s recognisable individual language, musicality, and clear and compelling storytelling: EUR 500 and a certificate.
    • Award for the best performance of an original contemporary choreography by a Slovenian choreographer, created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.
    • Award for the best performance of an original contemporary choreography set to music by a Slovenian composer and created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.

All competitors participating in the Final shall receive a finalist’s diploma.

Natural persons and legal entities from Slovenia and abroad shall also be invited to establish and sponsor special awards. The Organiser will be pleased to consider their proposals and, subject to prior agreement, include them in the official list of awards. Recipients shall be selected by the international Jury or by the sponsors of the relevant awards.

All awards are individual and indivisible, except where an award is expressly designated for a dance couple.

The international Jury is under no obligation to award the Grand Prix, monetary prizes, special awards, diplomas or other distinctions if, in its judgement, the competitors’ performances do not attain the standard required for their award.

Where two or more competitors contesting the first three places achieve the same score, the Jury shall determine the final ranking on the basis of the artistic quality of their performances and decide who is placed first, second and third.

All monetary awards shall be paid in euros into the recipients’ bank accounts. Any applicable tax liabilities shall be calculated and withheld in accordance with the legislation of the Republic of Slovenia.

Monetary awards shall be transferred to recipients following their appearance at the Gala Ballet Concert of the Portorož – Portorose International Ballet Competition. Payment shall be made on the day following the Gala Concert.

Award recipients selected by the Jury to appear in the Gala Ballet Concert who fail to participate without the Organiser’s prior consent shall forfeit entitlement to all monetary awards.

12. ORDER OF APPEARANCE

12.1.
The order of appearance in both competition rounds shall follow the alphabetical order of competitors’ surnames, beginning with the initial letter selected by draw.
The draw shall be conducted using a dedicated form published on the official Competition website. Competitors shall receive a link to the form by email. The initial letter shall be drawn separately for the JUNIORS, YOUNG PROFESSIONALS and SENIORS categories.
12.2.
Participation in the draw is not compulsory. If competitors in a category do not select an initial letter within the period specified by the Organiser, the Organising Committee shall conduct the draw. The letter receiving the highest number of competitors’ votes shall be selected and shall determine the order of appearance in both competition rounds.
12.3.
Following completion of the online draw, each candidate shall receive an individual Competition number to be used throughout the Competition. Couples shall appear according to the Competition number assigned to the female dancer.
12.4.
Following the draw, the Competition Secretariat shall publish the First-Round schedule specifying the date, time and order of competitors’ appearances. The schedule shall be published no later than two months before the Competition begins.
12.5.
A competitor who is unable to appear at the scheduled time due to illness or another justified reason may, on the basis of a written and reasoned request, be authorised by the international Jury to perform at a later time. Illness must be substantiated by a medical certificate issued by a hospital or an appropriate medical diagnostic centre.
If the request is granted, the competitor may perform after the final competitor on the relevant Competition day, or no later than after the final competitor in the relevant round. If more than one competitor is affected, they shall appear in alphabetical order of surname.
The written request must be submitted to the Organiser as soon as possible and, as a rule, before the scheduled performance time. A performance time may be changed only before the relevant competition round has concluded; once the round has ended, a later performance is no longer permitted.

13. APPLICATION

The deadline for submitting an application for video pre-selection is 15 February 2027. Applications received after the deadline or applications that are incomplete shall not be considered.

Required application materials

Candidates must submit the online application form together with all required attachments and a link to their video recording. By submitting the application, the candidate confirms acceptance of these Regulations. The application must include:

    • a brief curriculum vitae in Slovenian or English;
    • a copy of a valid identity document or passport;
    • two high-quality photographs in stage costume and a dance pose, and two portrait photographs;
    • portrait photographs of the registered partner and coach, where accreditation is required;
    • proof of payment of the video pre-selection fee.

14. VIDEO PRE-SELECTION

14.1.
Video pre-selection is the preliminary admission stage used to determine which candidates will be invited to the live Competition in Portorož. It is not a competition round, and scores or assessments from the pre-selection shall not be carried forward to the First Round.

VIDEO RECORDING REQUIREMENTS

14.2.
The candidate must be clearly identifiable and must perform alone. The recording must contain one classical variation selected from the repertoire in Chapter 4 and one contemporary solo choreography. Only the candidate applying for the Competition may appear in the recording.
14.3.
Each required item must be recorded in one continuous take. Editing, visual effects, audio replacement, cuts, splicing and any alteration of playback speed are prohibited.
14.4.
The camera must remain stationary wherever practicable and must show the candidate’s entire body and the complete dance area throughout each performance. The recording must provide clear picture and sound of sufficient quality for professional assessment.
14.5.
The recording must be no more than twelve months old on the application deadline. The submitted link must be accessible without a password and must remain active until the pre-selection results have been announced. A recording that cannot be opened or assessed by the Committee may be treated as an incomplete application.

ASSESSMENT AND SELECTION

14.6.
The Pre-selection Committee, appointed by the Organiser, shall assess each candidate’s classical technique, placement and coordination, musicality, artistic expression, movement quality, stage presence and apparent readiness for the live Competition. The Committee shall assess only the material submitted by the application deadline.
14.7.
There is no limit on the number of candidates who may enter video pre-selection. The Committee shall select a maximum of 80 competitors across all three age categories for admission to the First Round. No fixed quota applies to an individual category. The Committee shall take account of the artistic and technical standard of applications and shall endeavour to ensure appropriate representation of all three categories. The Organiser may admit fewer than 80 competitors.
14.8.
The Committee’s decisions are final and not subject to appeal. Candidates shall be informed of the outcome no later than 15 March 2027. Individual scores, rankings or written evaluations from video pre-selection will not be issued.
14.9.
Candidates selected through video pre-selection shall confirm their participation in the live Competition no later than 30 March 2027, in accordance with the instructions provided in the Organiser’s notification of selection.
Admitted competitors must submit their complete Competition programme for both Competition rounds using the designated online form no later than 1 June 2027. The submitted programme may subsequently be changed only with the Organiser’s prior written approval.
The Competition participation fee of EUR 250.00 must also be paid no later than 1 June 2027.

Failure to confirm participation, submit the complete Competition programme or pay the Competition participation fee by the applicable deadline may result in the competitor’s place being withdrawn and offered to another candidate.

15. FINANCIAL CONDITIONS

15.1.
The video pre-selection fee is EUR 100.00 per candidate and must be paid when the application is submitted. The fee is non-refundable irrespective of the decision of the Pre-selection Committee, withdrawal of the application or the candidate’s non-participation.
15.2.
Competitors admitted to the First Round shall pay a Competition participation fee of EUR 250.00. The amount must be transferred to the bank account of the Slovenian Ballet Artists Association no later than 1 June 2027.
If the participation fee is paid by someone other than the competitor, the payment reference must state the name of the competitor on whose behalf it is paid. Participants shall bear all bank transfer charges.
The Competition participation fee must be paid in euros to the following bank account:

Nova Ljubljanska banka d.d.
Trg republike 2
1000 Ljubljana
Slovenia
IBAN: SI56 0201 0025 3272 398
BIC: LJBASI2X
Beneficiary: Slovenian Ballet Artists Association, Župančičeva 1, 1000 Ljubljana, Slovenia

The participation fee is non-refundable.

15.3.
All competitors and their partners shall bear their own travel expenses to and from Portorož.
15.4.
During the official accommodation period, from arrival on 12 July until departure on 19 July 2027, the Organiser shall cover the cost of bed and breakfast and lunch for all admitted competitors and their non-competing dance partners named in the application. This coverage shall apply throughout the stated period even if a competitor does not advance to the Final after the First Round. Dinner is not included and shall be paid for by the participants themselves.
15.5.
Accommodation capacity at the Portorož Student Dormitory shall be reserved as a priority for admitted competitors and their non-competing dance partners. Any remaining capacity shall be available, subject to availability, to coaches, teachers and other accompanying persons, who shall bear all of their own accommodation and meal costs.
15.6.
The indicative 2026 prices at the Portorož Student Dormitory are EUR 38.00 per person for bed and breakfast, EUR 10.00 for lunch and EUR 9.00 for dinner. The Portorož Student Dormitory reserves the right to increase its prices in 2027; the Organiser shall communicate the final prices once confirmed.
15.7.
If no places remain at the Portorož Student Dormitory for coaches, teachers or other accompanying persons, the Organiser may assist them in finding alternative accommodation; however, the accompanying person shall bear the full cost of the accommodation selected. Persons staying elsewhere may still order available meals at the Portorož Student Dormitory, subject to advance booking and payment.
15.8.
All participants are responsible for arranging their own health insurance and any other necessary or desired insurance coverage.
15.9.
Competitors shall bear the cost of medical treatment relating to chronic or other long-term illnesses. Treatment for acute illness and injury shall be covered by their own health insurance.
15.10.
All monetary awards shall be paid on the day following the Gala Ballet Concert.
15.11.
Dancers included in the Gala Concert programme who decide not to perform shall forfeit all entitlement to all monetary awards.

16. ORGANISATION

16.1.
The preparation, delivery and financing of the Competition shall be undertaken jointly by the Slovenian Ballet Artists Association and Avditorij Portorož – Portorose, with the valued support of the Ministry of Culture of the Republic of Slovenia and the Municipality of Piran, and through the generous sponsorship of Slovenian and foreign legal entities and natural persons.
16.2.
For the duration of the Competition, the Organiser shall operate a Competition Secretariat at Avditorij Portorož – Portorose, to which competitors may address all questions concerning the Competition’s organisation and proceedings.
All official notices, rehearsal schedules, performance schedules and results of individual competition rounds shall be displayed at a designated location in the foyer of Avditorij Portorož – Portorose. Information displayed there shall be deemed an official notice of the Organiser.
16.3.
The Organiser shall also publish all official notices, rehearsal and Competition schedules, and Competition results on the official website at https://ibc-portoroz.org.
16.4.
All admitted competitors must arrange their arrival so that they complete registration and all other requirements specified by the Organiser in good time on 12 July 2027. A competitor who, for a justified reason, cannot arrive on the official arrival date must obtain the Organiser’s prior written consent.
16.5.
Upon arrival, competitors must register in person at the Competition Secretariat and collect their accreditation and official information. The Organiser shall state the place and time of registration in the confirmation notice. A competitor who fails to register within the specified period and does not have the Organiser’s written approval for a later arrival may forfeit the right to participate.
16.6.
As the Competition takes place during the peak tourist season, the Organiser recommends that persons accompanying competitors and their partners arrange accommodation in good time. The Organiser may provide assistance in finding accommodation.
16.7.
The Organiser shall assist coaches and accompanying persons with reservations at the Portorož Student Dormitory, Sončna pot 20, 6320 Portorož.
Accommodation for coaches and accompanying persons must be requested using the online form available under BOOK ACCOMMODATION.
Upon receipt of the online accommodation request, the Organiser may confirm preferential accommodation rates. The number of nights available at preferential rates is limited and the offer remains valid only while the relevant accommodation is available.
Capacity at the Portorož Student Dormitory is limited; the Organiser therefore cannot guarantee accommodation to every applicant.
Coaches and other accompanying persons seeking the Organiser’s assistance must submit their request as early as possible, stating the required period of stay and the number and type of rooms required.
Requests shall be processed in the order received and according to available capacity. Where the requested accommodation is available, the applicant shall receive written confirmation. Submission of a request does not in itself constitute a confirmed reservation.
If the Portorož Student Dormitory is fully booked, the Organiser shall assist coaches and accompanying persons in finding reasonably priced alternative accommodation.
16.8.
Coaches and other accompanying persons for whom the Organiser is unable to confirm a reservation at the Portorož Student Dormitory must arrange their own accommodation. At their request, the Organiser may assist them in finding other reasonably priced accommodation.

17. TRANSPORT

All competitors, their partners, coaches and other accompanying persons shall bear their own travel expenses to and from Portorož, as well as any transport costs between their accommodation and the Competition venue during the Competition.

18. CONFIRMATION AND CORRESPONDENCE

By signing the application form, candidates confirm that they agree to all provisions of these Regulations.

After reviewing the submitted documents, the Organiser shall reply to all candidates by email no later than fifteen days after the application deadline, either confirming their participation or requesting supplementary application materials.

The Organiser shall identify competitors who require an entry visa for Slovenia or the European Union and shall issue them with an official invitation to the Portorož – Portorose International Ballet Competition 2027.

19. GENERAL PROVISIONS

Recording, photography, media publication and copyright

The Organiser shall hold the exclusive right to official photography and to audio, video, film and television recording of the entire Competition, including rehearsals, Competition performances, the Awards Ceremony, the Gala Ballet Concert and all other activities directly connected with the Competition.

The Slovenian Ballet Artists Association and Avditorij Portorož – Portorose shall have the exclusive right to enter into agreements with Slovenian and foreign television and radio broadcasters, production companies, press and photographic agencies, other media, and professional or amateur creators for:

    • photographing or recording the Competition in whole or in part;
    • live television, radio or online transmission;
    • subsequent broadcasting, reproduction and making recordings available to the public;
    • publication of photographs and recordings on websites, social media, online platforms and in other media;
    • production of television, radio, online, print, promotional, archival and other materials relating to the Competition.

The Organiser may grant all or part of these rights to third-party natural persons or legal entities.

Competitors and their partners authorise the Organiser to photograph them and make audio, video, film and television recordings of their rehearsals, performances and other activities connected with the Competition. They further authorise the use of their name, likeness, voice, biographical information and performance recordings for reporting on and promoting the Competition, live transmission, subsequent broadcasting, archiving, and the production and publication of promotional, documentary and other materials relating to the Competition.

This authorisation is granted without limitation in time or territory and applies to all present and future forms of use and media. Competitors and their partners shall not be entitled to any fee or other remuneration for such recording, photography, broadcasting, publication, reproduction or other authorised use.

By submitting the application form, the competitor or their legal representative confirms awareness that the Competition will be recorded and photographed and grants the Organiser the authorisations required to use recordings of the competitor’s performance.

This provision does not transfer any third-party copyright in music, choreography, costume design or other copyright-protected works.

Where a competitor or their partner is a minor, the required authorisations must be granted on their behalf by a parent or legal guardian. Personal data, photographs and recordings shall be processed in accordance with applicable data-protection legislation and the Organiser’s published privacy notice.

Photography and recording by other persons

Without the Organiser’s prior written permission, all professional or amateur photography and all audio, video, film or other recording using mobile telephones, cameras or any other recording equipment is prohibited during rehearsals, Competition performances, the Awards Ceremony and the Gala Ballet Concert.

The Organiser may make permission to photograph or record subject to payment of a fee and may determine the permitted location, time, scope and manner of recording, together with the conditions governing subsequent use. The holder of the permission must comply with the Organiser’s instructions and the venue’s house rules.

The Organiser alone shall decide on the public screening, publication, distribution or other use of official Competition photographs and recordings and on the grant of such rights to third-party natural persons or legal entities.

Rights to use music, choreography and other works

Competitors must obtain, themselves and in good time, all authorisations required for the public performance and use of the following copyright-protected or otherwise protected material:

    • music and audio recordings;
    • choreography;
    • costume designs;
    • stage designs;
    • video content;
    • other works or materials used in their performance.

Competitors shall bear all costs of obtaining such rights and authorisations. At the Organiser’s request, they must provide appropriate written evidence that the required authorisations have been obtained.

A protected choreography may not be performed, and protected music or any other protected work may not be used, without the rights holder’s permission. By submitting the application, the competitor warrants that all necessary rights and authorisations for the registered programme have been duly secured.
If a competitor uses a copyright-protected or otherwise protected work without the required authorisation, the competitor shall be solely liable for any claims by rights holders and for any other legal consequences. The Organiser may refuse or discontinue such a performance, remove it from the programme, or cease its publication or transmission.

Competition name, logo and trade mark

The production, advertising, distribution or sale of products and materials bearing the name, logo, trade mark, visual identity or other distinctive elements of the Portorož – Portorose International Ballet Competition is permitted only with the Organiser’s prior written consent.

For commercial use, the Organiser and the user must first enter into an agreement specifying the scope and manner of use, the duration of the authorisation and any applicable payment.

Liability for injury and damage

Competitors, their partners, coaches and other accompanying persons participate in the Competition at their own risk. The Organiser shall not be liable for injury, loss of personal property or other damage arising during the Competition, except where caused by the Organiser’s wilful misconduct or gross negligence.

All participants must maintain adequate health and accident insurance valid in the Republic of Slovenia throughout the Competition period.

International Press Centre and accreditation

An International Press Centre shall operate during the Competition. Journalists, press photographers and other media representatives may apply for accreditation before the Competition begins using the dedicated form published on the official Competition website.

Applications must include a letter of accreditation from the relevant editorial office and a portrait photograph of the applicant.

In exceptional circumstances, an accreditation request may also be submitted to the Competition Secretariat during the Competition. Approval shall depend on available capacity and organisational constraints.
As a rule, no more than one representative per media outlet shall be accredited.

Depending on the outlet’s needs and available capacity, the Organiser may exceptionally approve additional accreditations.

Accredited media representatives shall receive a special accreditation badge, which must be worn visibly. Accreditation permits access to Competition events only in locations and under conditions specified by the Organiser. It does not in itself authorise unrestricted photography, recording, live transmission or subsequent use of recordings.

For particular events, areas or types of recording, the Organiser may require additional written permission. All media representatives must comply with the Organiser’s instructions, access and recording restrictions, and the house rules of Avditorij Portorož – Portorose.
Interpretation of the Regulations

In the event of any discrepancy between the Slovenian version and a translated language version of the Regulations governing participation in the Portorož – Portorose International Ballet Competition 2027, the Slovenian text shall prevail and shall be legally binding.

20. PUBLIC ACCESS TO THE COMPETITION

All competition rounds, stage rehearsals, the Awards Ceremony and the Gala Ballet Concert shall be open to the public. Visitors must purchase the appropriate ticket for each Competition day or event, including stage rehearsals.

Competitors, their registered coaches and their accredited non-competing dance partners shall be granted free admission to stage rehearsals and all competition rounds. Admission shall be permitted only upon presentation of the valid accreditation issued on arrival at the Competition.

For each event, the Organiser shall allocate a limited number of seats to accredited competitors, coaches and non-competing partners. Complimentary admission shall be available only within the number of reserved seats and subject to the Organiser’s instructions.

Competitors not selected to appear in the Gala Ballet Concert, together with their coaches and non-competing partners, must purchase a ticket to attend the Gala Concert. The Organiser shall offer them tickets at a specially reduced price.

The Organiser shall assist organised visitor groups with ticket reservations and purchases and may offer special group discounts depending on group size and seat availability. Information and reservations are available by email at .

21. ORGANISED DAILY BALLET CLASSES FOR COMPETITORS

During the Competition, complimentary ballet classes led by distinguished teachers from Slovenia and abroad shall be organised for competitors each day.

Competitors appearing in the Competition programme on a particular day shall attend ballet class at 09:30 on the stage of Avditorij Portorož – Portorose. For competitors not appearing that day, ballet class shall be held at Magazin Grando.

REGISTRATION FOR BALLET CLASSES

Competitors must register separately for each ballet class using the registration form published on the official Competition website.

Registration may be submitted in advance but no later than three (3) hours before the class begins.

22. FREE STUDIO HIRE FOR INDIVIDUAL COMPETITOR REHEARSALS

Competitors may use a studio free of charge for individual rehearsals during the Competition. Priority shall be given to competitors not performing on the day concerned, and among them to those due to perform on the following day.

During the First and Second Competition Days, studio time shall be available to at least 40 competitors per day under the following minimum allocation:

    • competitors performing variations shall receive at least ten minutes of rehearsal time in the First Round;
    • competitors performing a pas de deux shall receive at least 20 minutes of rehearsal time in the First Round.

The available rehearsal period shall subsequently be extended according to the competition round and the number of competitors advancing. Competitors who do not advance shall no longer be entitled to complimentary studio use for individual rehearsals.

A sound system shall be available for rehearsals. Competitors must bring their music on a USB storage device, computer or mobile telephone.

23. FURTHER INFORMATION

1. GENERAL PROVISIONS

1.1.
The 1st Portorož – Portorose International Ballet Competition is organised by the Slovenian Ballet Artists Association and Avditorij Portorož – Portorose (hereinafter: the Organiser), with the support of the Ministry of Culture of the Republic of Slovenia and the Municipality of Piran. The Competition will take place from 13 to 18 July 2027. It is open to ballet dancers of all nationalities who meet the requirements set out in these Regulations.
1.2.
Competitors shall participate in three age categories:
JUNIORS: aged 15–18 on the opening day of the Competition, 13 July 2027;
YOUNG PROFESSIONALS: aged 19–22 on the opening day of the Competition, 13 July 2027;
SENIORS: aged 23–26 on the opening day of the Competition, 13 July 2027.
Competitors shall be adjudicated and ranked individually in all age categories. No separate categories based on gender shall apply.
1.3.
The Competition will consist of two competition rounds held at the open-air theatre of Avditorij Portorož – Portorose (the Amphitheatre) in Portorož. The stage is fitted with a wooden sprung floor covered with Harlequin Allegro vinyl dance flooring. The stage measures 20 × 15 metres, has a clear height of 10–12 metres and is not raked.
1.4.
There is no limit on the number of candidates who may enter the video pre-selection. On the basis of the video pre-selection, the Pre-selection Committee shall admit a maximum of 80 competitors across all three age categories to the First Round. The number admitted in each category is not predetermined and shall depend on the number and quality of applications. The Committee shall endeavour to ensure appropriate representation of all three age categories. The Organiser may admit fewer competitors due to the quality of applications, time constraints or organisational considerations.
1.5.
A maximum of ten competitors with the highest First-Round scores in each age category may advance to the Second Round – Final, subject to an overall maximum of 30 finalists and a minimum qualifying score of 75.00 points. Attaining the minimum score does not in itself guarantee advancement where more than ten competitors in a category score at least 75.00 points. In the event of a tie at the qualification threshold, the Jury shall decide which competitor advances in accordance with the Adjudication Rules.
1.6.
In either round, competitors may perform as soloists or in a pas de deux and may choose a different mode of performance in each round. Adjudication and ranking shall always be individual. In the Final, the contemporary choreography may be performed as a solo or duet. Competition partners may belong to the same or different age categories; each shall be adjudicated in their respective category.
1.7.
A competitor may perform a pas de deux or contemporary duet with a non-competing partner who performs outside the Competition.
1.8.
The Competition will also take place on the Amphitheatre stage at Avditorij Portorož – Portorose in adverse weather, as the entire Amphitheatre is protected by a tensile roof. In the event of heavy rain or strong winds, the Organiser may postpone the starting time of the official Competition programme on the day concerned.
1.9.
On the day following the final competition round, a Gala Ballet Concert will be held featuring competitors selected by the Jury alongside distinguished guest artists.
1.10.
All competitors’ stage rehearsals, all performances forming part of the official Competition programme and the Gala Ballet Concert shall be open to the public. Members of the Jury may not attend competitors’ rehearsals.

2. COMPETITION SCHEDULE

The schedule below is based on the maximum anticipated number of 80 competitors. Depending on the actual number of admitted competitors and other organisational circumstances, the Organiser may adjust the times of individual activities without changing the date of the Gala Ballet Concert.

Date

Time

Programme

12 July

Throughout the day

Arrival, registration and accommodation of competitors

13 July

09:30
11:30
20:30
21:00

Ballet class
Stage rehearsals
Opening Ceremony
First Round – Evening 1

14 July

09:30
11:30
20:30

Ballet class
Stage rehearsals
First Round – Evening 2

15 July

09:30
11:30
20:30
After the conclusion

Ballet class
Stage rehearsals
First Round – Evening 3
Announcement of finalists

16 July

09:30
11:30
20:30

Ballet class
Finalists’ stage rehearsals
Final – Evening 1

17 July

09:30
11:30
20:30
After the conclusion

Ballet class
Finalists’ stage rehearsals
Final – Evening 2
Jury deliberations

18 July

10:00
12:00
21:00

Ballet class for performers
Dress rehearsal
Awards Ceremony and Gala Ballet Concert

19 July

By 10:00

Departure of competitors and non-competing partners

3. COMPULSORY COMPETITION PROGRAMME

The programme requirements below apply equally to the JUNIORS, YOUNG PROFESSIONALS and SENIORS categories.

FIRST ROUND

At their discretion, competitors shall perform either a pas de deux from the classical ballet repertoire, comprising an adagio, variation and coda, or two classical variations selected from the compulsory Competition repertoire listed in Chapter 4. A competitor performing as a soloist shall perform both variations during the same Competition evening.

SECOND ROUND – FINAL

Each finalist shall perform both the classical and contemporary components of the programme during the same Competition evening.

Classical component: the finalist shall perform either a pas de deux comprising an adagio, variation and coda, or two classical variations. The finalist may not repeat in the Final the pas de deux or either of the two variations performed in the First Round. The classical programme for the Final must therefore be entirely different from that performed in the First Round. All classical works must be selected from the compulsory Competition repertoire listed in Chapter 4.

Contemporary component: the finalist shall perform a solo or duet contemporary choreography created within the preceding ten years, i.e. after 13 July 2017. The maximum duration is three minutes for a solo and five minutes for a duet, with a permitted tolerance of up to ten seconds.

ADDITIONAL CONDITIONS

Competitors selected by the Jury to appear in the Gala Ballet Concert must take part in the Awards Ceremony and the Gala Concert. The Jury shall also select the programme they are to perform. Competitors shall not be entitled to a performance fee for appearing in the Gala Concert.
Competitors shall attend the Competition with their own ballet costumes, rehearsal wear, ballet shoes and pointe shoes. They are responsible for preparing their costumes, hair and stage make-up, as the Organiser does not provide hairdressers, make-up artists or dressers.

4. COMPETITION REPERTOIRE

Competitors shall perform, at their discretion, one pas de deux (adagio, variation and coda) or two variations from the compulsory repertoire listed below.

Each pas de deux must be performed in full: entrée, adagio, male variation, female variation and coda.

Variations may also be selected from any of the pas de deux listed below.

A. Ch. Adam: GISELLE
    • Variation of Giselle, Act I, Chor. Petipa,
    • Pas de deux, Act I, Chor. Perrot, Coralli, Petipa
    • Entree and variation of Myrtha, Act II, Chor. Perrot, Coralli, Petipa
    • Grand pas de deux of Giselle and Albert, Act II, Chor. Perrot, Coralli, Petipa
A. Ch. Adam: LE CORSAIRE
    • Pas de deux of Medora and the Slave (Pas d’esclave), Act I, Chor. Petipa
    • Any variation from Odaliskque, Act II, Chor. Petipa
    • Grand Pas de deux, Act II, Chor. Petipa, music Drigo
J. Armsheimer: THE CAVALRY CAMP
    • Pas de deux of Maria and Peter, Chor. Petipa
J. Bayer: THE FAIRY DOLL
    • Female variation from Pas de trois, Chor. S.&N. Legat
F. Chopin: LES SYLPHIDES
    • Any variation, Chor. Fokine
R. Drigo: AWAKENING OF FLORA
    • Flora variation, Chor. Petipa
R. Drigo: THE PHARAOH’S DAUGHTER
    • Variation of First, Second or Third river from Act 3, Chor. Petipa
    • Aspicia variation from Act 2, Chor. Petipa
    • Fisherman variation, Chor. Petipa
    • Taor variation, Chor. Petipa
R. Drigo: THE TALISMAN
    • Pas de deux, Chor. Petipa
R. Drigo: HARLEQUINADE
    • Pas de deux, Chor. Petipa
B. Assafyev: THE FLAMES OF PARIS
    • Pas de deux, Chor. Vainonen
L. Delibes: COPPELIA
    • Pas de deux of Swanilda and Franz, Act III, Chor. Saint -Leon, Petipa
Glazounov: RAYMONDA
    • Any Raymonda variation, Chor. Petipa
    • Grand pas de deux of Raymonda and de Brienne, Act III, Chor. Petipa
C. Pugni: ESMERALDA
    • Grand Pas de deux, Chor. Petipa
    • Pas de deux of Diana and Acteon, Chor. Vaganova
C. Pugni: THE LITTLE HUMPBACKED HORSE
    • Male variation from Pas de trois, Chor. Gorsky/Petipa
    • Male variation from Finale, Chor. Gorsky/Petipa
C. Pugni: THE CARNIVAL OF VENICE
    • Pas de deux, Chor. Petipa
H. S. Løvenskjold: LA SYLPHIDE
    • Pas de deux of Sylphide and James, Act II, Chor. Bournonville
L. Minkus: LA BAYADERE
    • Variation of Gamzatti, Act II, Chor. Petipa
    • Variation of Solor, Act II, Chor. Petipa
    • Variation of Nikia, Act II, Chor. Petipa
      Any of three variations of the Shades, Act III Chor. Petipa
L. Minkus: DON QUIXOTE
    • Grand pas de deux of Kitri and Basil, Act IV, Chor. Petipa, Gorsky
    • Variation of Kitri, Act I, Chor. Petipa
    • Variation of the Queen of the Driads, Chor. Petipa
    • Variation of the Bridemade, Act III, Chor. Petipa
L. Minkus: PAQUITA
    • Variations from the pas de trois, Chor. Petipa
    • Variations from the Grand pas, Chor. Petipa or V. Gsovsky
    • Any other woman variation, Chor. Petipa
D. F. E. Auber: GRAND PAS CLASSIQUE
    • Grand Pas classique, Chor. Gsovsky
H. S. Paulli: NAPOLI
    • Variations, Chor. Bournonville
H. S. Paulli: THE KERMESSE IN BRUGES or THE THREE GIFTS
    • Pas de deux, Chor. Bournonville
C. Pugni: SATANELLA
    • Pas de deux, Chor. Petipa
E. Helsted: FESTIVAL OF THE FLOWERS IN GENZANO
    • Pas de deux, Chor. Bournonville
P. L. Hertel: LA FILLE MAL GARDÉE
    • Pas de deux of Lisa and Colin, Act II, Chor. Petipa, Gorsky
Saint-Léon: LA VIVANDIERE
    • Any of variation
P. I. Tchaikovsky: SWAN LAKE
    • Variation of Odette , Act II, Chor. Lev Ivanov
    • Variation from pas de trois, Act I, Chor. Petipa
    • Pas de deux of Odile and Siegfried, Act III, Chor. Petipa
P. I. Tchaikovsky: THE SLEEPING BEAUTY
    • Variation of Lilac Fairy, Act I, Chor. Petipa
    • Variation of Aurora, Act I, Chor. Petipa
    • Variation of Prince Charming (Desire), Act II, Chor. Petipa
    • Variation of Lilac Fairy, Act III, Chor. Petipa
    • Any of variations of precious stones: Gold, Silver, Diamond, Sapphire, Chor. Petipa
    • Pas de deux of Florina and the Blue Bird, Act III, Chor. Petipa
    • Pas de deux of Aurora and Desire, Act III, Chor. Petipa, Sergeev
P. I. Tchaikovsky: THE NUTCRACKER
    • Pas de deux of Sugar Plum Fairy and the Prince, Act II

According to the George Balanchine Trust, choreographic works by George Balanchine may not be performed at competitions. This reflects Mr Balanchine’s express wish, which the George Balanchine Trust continues to enforce strictly.

For all other choreographic works protected by copyright, competitors are responsible for obtaining the performance rights themselves.

Competitors must obtain, themselves and in good time, all authorisations and rights required to perform any other copyright-protected choreography at the Competition.

5. ADDITIONAL INSTRUCTIONS FOR SELECTING THE COMPETITION PROGRAMME

5.1.
Competitors must register a programme for each competition round in accordance with Chapters 3 and 4. A registered programme may be changed only with the Organiser’s prior written approval.
5.2.
In the First Round, competitors must perform either a pas de deux or two classical variations. In the Final, they must perform either a pas de deux or two classical variations, together with a contemporary choreography.
5.3.
A finalist may not repeat in the Final the pas de deux or either classical variation performed in the First Round. Irrespective of the chosen mode of performance, the entire classical programme for the Final must differ from that performed in the First Round.
5.4.
A competitor may change between performing as a soloist and performing in a pas de deux from the First Round to the Final. Competitors shall in all cases be adjudicated individually.
5.5.
A pas de deux may be performed by two competitors from the same or different age categories. A competitor may also perform with a non-competing partner, who is not subject to an age limit and shall not be adjudicated.
5.6.
Contemporary choreography must contain elements clearly distinguishable from classical ballet technique. It may be performed as a solo or duet and must have been created after 13 July 2017.
5.7.
A contemporary solo may not exceed three minutes and a duet may not exceed five minutes. A tolerance of up to ten seconds is permitted.
5.8.
A maximum of five props may be used in a contemporary choreography. All props must be declared in advance and must be capable of being brought onto and removed from the stage safely by the competitor.
5.9.
Where a contemporary choreography begins without musical accompaniment, its duration shall be measured from the first movement. Where it ends without music, its duration shall be measured up to the final movement.

6. MUSIC RECORDINGS

6.1.
Competitors must submit their music recordings using the dedicated form published on the official Competition website no later than fourteen (14) days before the Competition begins.
A competitor may request the replacement of an individual music recording provided that this does not constitute a change to the registered Competition programme. The request must be submitted to the Organiser no later than one (1) day before the Competition performance at which the recording is to be used.
6.2.
Competitors must submit high-quality audio recordings.
6.3.
Music recordings used at the Competition must meet the following technical requirements:
supported audio formats: MP3 with a bit rate of at least 128 kbps, or WAV at 16-bit/44.1 kHz;
although recordings are submitted to the Organiser before arrival, competitors must also bring copies on a USB storage device;
recordings must have an SNR greater than 65 dB (signal-to-noise ratio exceeding 65 decibels);
recordings must be free from audible defects such as clicks, noise, wow, flutter, applause, abrupt endings without a fade-out, and similar faults.
6.4.
Each item of music must be provided as a separate recording.
Each audio filename must clearly state:
the competitor’s full name and the title of the dance item;
the title of the music; and
the round in which it will be performed.

7. STAGE MANAGEMENT REQUIREMENTS

7.1.
Before the Competition begins, competitors must submit all stage-management requirements and instructions for each Competition performance using the dedicated form published on the official Competition website. These must include entrances and their order, lighting requirements, the cue for starting the music and any other information necessary for the correct presentation of the performance.
7.2.
Where lighting changes during a contemporary choreography are synchronised with the music or linked to particular movements, a representative of the competitor should be present at the stage manager’s or production desk during the performance to provide the responsible technical staff with timely and unambiguous cues for each lighting change.
A competitor attending without a representative must describe all such stage-management and lighting changes accurately, clearly and unambiguously in the stage-requirements form submitted in advance.

8. JURY

8.1.
Competitors shall be adjudicated by an international Jury composed of distinguished ballet artists.
8.2.
The Jury shall act in accordance with rules determined or approved by the Organiser. The Jury Rules form an integral part of these Regulations and shall be published on the official Competition website.
8.3.
Decisions of the Jury are final and may not be appealed unless the Jury has breached the Competition Regulations in reaching its decision. An appeal may concern only an alleged breach of the Regulations and not the Jury’s professional judgement, scores or artistic decisions.
A competitor or their authorised representative must submit any appeal to the Organiser in writing, with reasons, no later than one (1) hour after the official announcement of the results of the relevant round. The appeal must clearly identify the alleged breach and the provision said to have been violated. Late, unreasoned or oral appeals shall not be considered.
Once submitted to the Organiser, a Jury decision may not be changed except to correct an evident calculation or administrative error, or following a substantiated appeal in respect of an established breach of the Competition Regulations.
Appeals shall be decided by the Competition Tribunal, whose members shall be appointed by the Competition Organising Committee.
8.4.
No adjudicator may award points to a competitor who is their family member, with whom they otherwise have a close personal relationship, whom they have coached for this Competition, or who is a pupil, student or employee of a dance institution managed by that adjudicator. In such a case, the adjudicator must recuse themselves before adjudication begins; the method of calculating the score without that adjudicator’s vote shall be governed by the Adjudication Rules.

No adjudicator may award points to any competitor who is their family member or with whom they otherwise have a close relationship or whom they have coached for this Competition or who is a student or an employee at a dance institution managed by the adjudicator.

9. ADJUDICATION AND SCORING

9.1.
The Jury shall assess competitors using a 100-point scale, on which the lowest permissible score is 50 points. Jury members shall enter their scores into the computer system immediately after each competitor’s performance. Adjudication shall be conducted in accordance with separate Adjudication Rules adopted by the Organiser.
9.2.
Where a competitor performs two classical variations in the First Round, the Jury shall score each variation separately. The competitor’s final First-Round score shall be the average of the two scores.
9.3.
Where a competitor performs a pas de deux in the First Round, the Jury shall adjudicate the competitor individually and award one overall score for the competitor’s performance of the entire pas de deux.
9.4.
In the Final, the Jury shall score each Competition item separately. Where a finalist performs two classical variations and a contemporary choreography, the Final score shall be the average of all three scores. Where a finalist performs a pas de deux and a contemporary choreography, the Final score shall be the average of the two scores.
9.5.
The First-Round score shall not be carried forward to the Final and shall not affect the ranking of finalists following their Final performance. When deciding awards, the Jury shall consider the competitor’s performances in both competition rounds and the competitor’s overall average score, calculated from the final First-Round score and the final Final-round score.
9.6.
In the event of a tie between two or more competitors, the Jury shall determine the final ranking after deliberation and voting, based on technical quality, artistic interpretation, musicality and versatility across the performances.

10. DISQUALIFICATION

10.1.
By open vote and a majority of at least two thirds (2/3), the international Jury may disqualify a competitor who:
    • fails to perform a generally recognised or established version of a classical choreographic work;
    • does not use a recording of the original orchestral performance for the classical Competition programme;
    • uses an audio recording of insufficient quality that fails to meet the requirements of Chapter 6 of these Regulations – Music Recordings;
    • performs a programme that does not comply with the requirements and prescribed selection of the compulsory Competition programme; 
    • performs a contemporary choreography that exceeds the permitted duration by more than ten (10) seconds.

11. AWARDS

The Jury may award:

GRAND PRIX

one PORTOROŽ – PORTOROSE GRAND PRIX 2027, consisting of EUR 6,000, a gold medal and a diploma. The Grand Prix may be awarded to a competitor in any of the three age categories. The recipient of the Grand Prix shall not also receive the First Prize monetary award in their age category.

AWARDS

Category

First Prize

Second Prize

Third Prize

JUNIORS

EUR 2,000

EUR 1,500

EUR 1,000

YOUNG PROFESSIONALS

EUR 2,500

EUR 2,000

EUR 1,500

SENIORS

EUR 3,000

EUR 2,500

EUR 2,000

SPECIAL AWARDS OF THE ORGANISER

The Slovenian Ballet Artists Association may invite competitors or couples from any age category to perform at the International Ballet Gala Concert in Ljubljana in 2028 or 2029. The recipients shall be selected by the Artistic Council of the Slovenian Ballet Artists Association.
The Slovenian Ballet Artists Association may grant up to three competitors in each age category free participation in the DANCS Ballet Intensive 2028 International Summer Ballet Camp in Portorož. The recipients shall be selected by the Artistic Council of the Slovenian Ballet Artists Association.

ADDITIONAL AWARDS

a. PERFORMANCE AWARDS

The following awards may be presented:

    • Award for outstanding and versatile artistic interpretation of all items performed in the Final in the JUNIORS category: EUR 300 and a diploma for a soloist, or EUR 600 in total and two diplomas for a dance couple.
    • Award for outstanding and versatile artistic interpretation of all items performed in the Final in the YOUNG PROFESSIONALS or SENIORS category: EUR 300 and a diploma for a soloist, or EUR 600 in total and two diplomas for a dance couple.
    • Award for the best partner, whether competing or non-competing, who has participated in both competition rounds: EUR 300 and a diploma.
    • Awards for the youngest female and male finalists in the JUNIORS category: EUR 200 and a diploma for the youngest female competitor and EUR 200 and a diploma for the youngest male competitor.

b. CHOREOGRAPHY AWARDS

The following awards may be presented:

    • Award for the best performance of an original contemporary choreography created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.
    • Award for the best original contemporary choreography created within the preceding five years, i.e. after 13 July 2022, distinguished by the choreographer’s recognisable individual language, musicality, and clear and compelling storytelling: EUR 500 and a certificate.
    • Award for the best performance of an original contemporary choreography by a Slovenian choreographer, created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.
    • Award for the best performance of an original contemporary choreography set to music by a Slovenian composer and created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.

All competitors participating in the Final shall receive a finalist’s diploma.

Natural persons and legal entities from Slovenia and abroad shall also be invited to establish and sponsor special awards. The Organiser will be pleased to consider their proposals and, subject to prior agreement, include them in the official list of awards. Recipients shall be selected by the international Jury or by the sponsors of the relevant awards.

All awards are individual and indivisible, except where an award is expressly designated for a dance couple.

The international Jury is under no obligation to award the Grand Prix, monetary prizes, special awards, diplomas or other distinctions if, in its judgement, the competitors’ performances do not attain the standard required for their award.

Where two or more competitors contesting the first three places achieve the same score, the Jury shall determine the final ranking on the basis of the artistic quality of their performances and decide who is placed first, second and third.

All monetary awards shall be paid in euros into the recipients’ bank accounts. Any applicable tax liabilities shall be calculated and withheld in accordance with the legislation of the Republic of Slovenia.

Monetary awards shall be transferred to recipients following their appearance at the Gala Ballet Concert of the Portorož – Portorose International Ballet Competition. Payment shall be made on the day following the Gala Concert.

Award recipients selected by the Jury to appear in the Gala Ballet Concert who fail to participate without the Organiser’s prior consent shall forfeit entitlement to all monetary awards.

12. ORDER OF APPEARANCE

12.1.
The order of appearance in both competition rounds shall follow the alphabetical order of competitors’ surnames, beginning with the initial letter selected by draw.
The draw shall be conducted using a dedicated form published on the official Competition website. Competitors shall receive a link to the form by email. The initial letter shall be drawn separately for the JUNIORS, YOUNG PROFESSIONALS and SENIORS categories.
12.2.
Participation in the draw is not compulsory. If competitors in a category do not select an initial letter within the period specified by the Organiser, the Organising Committee shall conduct the draw. The letter receiving the highest number of competitors’ votes shall be selected and shall determine the order of appearance in both competition rounds.
12.3.
Following completion of the online draw, each candidate shall receive an individual Competition number to be used throughout the Competition. Couples shall appear according to the Competition number assigned to the female dancer.
12.4.
Following the draw, the Competition Secretariat shall publish the First-Round schedule specifying the date, time and order of competitors’ appearances. The schedule shall be published no later than two months before the Competition begins.
12.5.
A competitor who is unable to appear at the scheduled time due to illness or another justified reason may, on the basis of a written and reasoned request, be authorised by the international Jury to perform at a later time. Illness must be substantiated by a medical certificate issued by a hospital or an appropriate medical diagnostic centre.
If the request is granted, the competitor may perform after the final competitor on the relevant Competition day, or no later than after the final competitor in the relevant round. If more than one competitor is affected, they shall appear in alphabetical order of surname.
The written request must be submitted to the Organiser as soon as possible and, as a rule, before the scheduled performance time. A performance time may be changed only before the relevant competition round has concluded; once the round has ended, a later performance is no longer permitted.

13. APPLICATION

The deadline for submitting an application for video pre-selection is 15 February 2027. Applications received after the deadline or applications that are incomplete shall not be considered.

Required application materials

Candidates must submit the online application form together with all required attachments and a link to their video recording. By submitting the application, the candidate confirms acceptance of these Regulations. The application must include:

    • a brief curriculum vitae in Slovenian or English;
    • a copy of a valid identity document or passport;
    • two high-quality photographs in stage costume and a dance pose, and two portrait photographs;
    • portrait photographs of the registered partner and coach, where accreditation is required;
    • proof of payment of the video pre-selection fee.

14. VIDEO PRE-SELECTION

14.1.
Video pre-selection is the preliminary admission stage used to determine which candidates will be invited to the live Competition in Portorož. It is not a competition round, and scores or assessments from the pre-selection shall not be carried forward to the First Round.

VIDEO RECORDING REQUIREMENTS

14.2.
The candidate must be clearly identifiable and must perform alone. The recording must contain one classical variation selected from the repertoire in Chapter 4 and one contemporary solo choreography. Only the candidate applying for the Competition may appear in the recording.
14.3.
Each required item must be recorded in one continuous take. Editing, visual effects, audio replacement, cuts, splicing and any alteration of playback speed are prohibited.
14.4.
The camera must remain stationary wherever practicable and must show the candidate’s entire body and the complete dance area throughout each performance. The recording must provide clear picture and sound of sufficient quality for professional assessment.
14.5.
The recording must be no more than twelve months old on the application deadline. The submitted link must be accessible without a password and must remain active until the pre-selection results have been announced. A recording that cannot be opened or assessed by the Committee may be treated as an incomplete application.

ASSESSMENT AND SELECTION

14.6.
The Pre-selection Committee, appointed by the Organiser, shall assess each candidate’s classical technique, placement and coordination, musicality, artistic expression, movement quality, stage presence and apparent readiness for the live Competition. The Committee shall assess only the material submitted by the application deadline.
14.7.
There is no limit on the number of candidates who may enter video pre-selection. The Committee shall select a maximum of 80 competitors across all three age categories for admission to the First Round. No fixed quota applies to an individual category. The Committee shall take account of the artistic and technical standard of applications and shall endeavour to ensure appropriate representation of all three categories. The Organiser may admit fewer than 80 competitors.
14.8.
The Committee’s decisions are final and not subject to appeal. Candidates shall be informed of the outcome no later than 15 March 2027. Individual scores, rankings or written evaluations from video pre-selection will not be issued.
14.9.
Candidates selected through video pre-selection shall confirm their participation in the live Competition no later than 30 March 2027, in accordance with the instructions provided in the Organiser’s notification of selection.
Admitted competitors must submit their complete Competition programme for both Competition rounds using the designated online form no later than 1 June 2027. The submitted programme may subsequently be changed only with the Organiser’s prior written approval.
The Competition participation fee of EUR 250.00 must also be paid no later than 1 June 2027.

Failure to confirm participation, submit the complete Competition programme or pay the Competition participation fee by the applicable deadline may result in the competitor’s place being withdrawn and offered to another candidate.

15. FINANCIAL CONDITIONS

15.1.
The video pre-selection fee is EUR 100.00 per candidate and must be paid when the application is submitted. The fee is non-refundable irrespective of the decision of the Pre-selection Committee, withdrawal of the application or the candidate’s non-participation.
15.2.
Competitors admitted to the First Round shall pay a Competition participation fee of EUR 250.00. The amount must be transferred to the bank account of the Slovenian Ballet Artists Association no later than 1 June 2027.
If the participation fee is paid by someone other than the competitor, the payment reference must state the name of the competitor on whose behalf it is paid. Participants shall bear all bank transfer charges.
The Competition participation fee must be paid in euros to the following bank account:

Nova Ljubljanska banka d.d.
Trg republike 2
1000 Ljubljana
Slovenia
IBAN: SI56 0201 0025 3272 398
BIC: LJBASI2X
Beneficiary: Slovenian Ballet Artists Association, Župančičeva 1, 1000 Ljubljana, Slovenia

The participation fee is non-refundable.

15.3.
All competitors and their partners shall bear their own travel expenses to and from Portorož.
15.4.
During the official accommodation period, from arrival on 12 July until departure on 19 July 2027, the Organiser shall cover the cost of bed and breakfast and lunch for all admitted competitors and their non-competing dance partners named in the application. This coverage shall apply throughout the stated period even if a competitor does not advance to the Final after the First Round. Dinner is not included and shall be paid for by the participants themselves.
15.5.
Accommodation capacity at the Portorož Student Dormitory shall be reserved as a priority for admitted competitors and their non-competing dance partners. Any remaining capacity shall be available, subject to availability, to coaches, teachers and other accompanying persons, who shall bear all of their own accommodation and meal costs.
15.6.
The indicative 2026 prices at the Portorož Student Dormitory are EUR 38.00 per person for bed and breakfast, EUR 10.00 for lunch and EUR 9.00 for dinner. The Portorož Student Dormitory reserves the right to increase its prices in 2027; the Organiser shall communicate the final prices once confirmed.
15.7.
If no places remain at the Portorož Student Dormitory for coaches, teachers or other accompanying persons, the Organiser may assist them in finding alternative accommodation; however, the accompanying person shall bear the full cost of the accommodation selected. Persons staying elsewhere may still order available meals at the Portorož Student Dormitory, subject to advance booking and payment.
15.8.
All participants are responsible for arranging their own health insurance and any other necessary or desired insurance coverage.
15.9.
Competitors shall bear the cost of medical treatment relating to chronic or other long-term illnesses. Treatment for acute illness and injury shall be covered by their own health insurance.
15.10.
All monetary awards shall be paid on the day following the Gala Ballet Concert.
15.11.
Dancers included in the Gala Concert programme who decide not to perform shall forfeit all entitlement to all monetary awards.

16. ORGANISATION

16.1.
The preparation, delivery and financing of the Competition shall be undertaken jointly by the Slovenian Ballet Artists Association and Avditorij Portorož – Portorose, with the valued support of the Ministry of Culture of the Republic of Slovenia and the Municipality of Piran, and through the generous sponsorship of Slovenian and foreign legal entities and natural persons.
16.2.
For the duration of the Competition, the Organiser shall operate a Competition Secretariat at Avditorij Portorož – Portorose, to which competitors may address all questions concerning the Competition’s organisation and proceedings.
All official notices, rehearsal schedules, performance schedules and results of individual competition rounds shall be displayed at a designated location in the foyer of Avditorij Portorož – Portorose. Information displayed there shall be deemed an official notice of the Organiser.
16.3.
The Organiser shall also publish all official notices, rehearsal and Competition schedules, and Competition results on the official website at https://ibc-portoroz.org.
16.4.
All admitted competitors must arrange their arrival so that they complete registration and all other requirements specified by the Organiser in good time on 12 July 2027. A competitor who, for a justified reason, cannot arrive on the official arrival date must obtain the Organiser’s prior written consent.
16.5.
Upon arrival, competitors must register in person at the Competition Secretariat and collect their accreditation and official information. The Organiser shall state the place and time of registration in the confirmation notice. A competitor who fails to register within the specified period and does not have the Organiser’s written approval for a later arrival may forfeit the right to participate.
16.6.
As the Competition takes place during the peak tourist season, the Organiser recommends that persons accompanying competitors and their partners arrange accommodation in good time. The Organiser may provide assistance in finding accommodation.
16.7.
The Organiser shall assist coaches and accompanying persons with reservations at the Portorož Student Dormitory, Sončna pot 20, 6320 Portorož.
Accommodation for coaches and accompanying persons must be requested using the online form available under BOOK ACCOMMODATION.
Upon receipt of the online accommodation request, the Organiser may confirm preferential accommodation rates. The number of nights available at preferential rates is limited and the offer remains valid only while the relevant accommodation is available.
Capacity at the Portorož Student Dormitory is limited; the Organiser therefore cannot guarantee accommodation to every applicant.
Coaches and other accompanying persons seeking the Organiser’s assistance must submit their request as early as possible, stating the required period of stay and the number and type of rooms required.
Requests shall be processed in the order received and according to available capacity. Where the requested accommodation is available, the applicant shall receive written confirmation. Submission of a request does not in itself constitute a confirmed reservation.
If the Portorož Student Dormitory is fully booked, the Organiser shall assist coaches and accompanying persons in finding reasonably priced alternative accommodation.
16.8.
Coaches and other accompanying persons for whom the Organiser is unable to confirm a reservation at the Portorož Student Dormitory must arrange their own accommodation. At their request, the Organiser may assist them in finding other reasonably priced accommodation.

17. TRANSPORT

All competitors, their partners, coaches and other accompanying persons shall bear their own travel expenses to and from Portorož, as well as any transport costs between their accommodation and the Competition venue during the Competition.

18. CONFIRMATION AND CORRESPONDENCE

By signing the application form, candidates confirm that they agree to all provisions of these Regulations.

After reviewing the submitted documents, the Organiser shall reply to all candidates by email no later than fifteen days after the application deadline, either confirming their participation or requesting supplementary application materials.

The Organiser shall identify competitors who require an entry visa for Slovenia or the European Union and shall issue them with an official invitation to the Portorož – Portorose International Ballet Competition 2027.

19. GENERAL PROVISIONS

Recording, photography, media publication and copyright

The Organiser shall hold the exclusive right to official photography and to audio, video, film and television recording of the entire Competition, including rehearsals, Competition performances, the Awards Ceremony, the Gala Ballet Concert and all other activities directly connected with the Competition.

The Slovenian Ballet Artists Association and Avditorij Portorož – Portorose shall have the exclusive right to enter into agreements with Slovenian and foreign television and radio broadcasters, production companies, press and photographic agencies, other media, and professional or amateur creators for:

    • photographing or recording the Competition in whole or in part;
    • live television, radio or online transmission;
    • subsequent broadcasting, reproduction and making recordings available to the public;
    • publication of photographs and recordings on websites, social media, online platforms and in other media;
    • production of television, radio, online, print, promotional, archival and other materials relating to the Competition.

The Organiser may grant all or part of these rights to third-party natural persons or legal entities.

Competitors and their partners authorise the Organiser to photograph them and make audio, video, film and television recordings of their rehearsals, performances and other activities connected with the Competition. They further authorise the use of their name, likeness, voice, biographical information and performance recordings for reporting on and promoting the Competition, live transmission, subsequent broadcasting, archiving, and the production and publication of promotional, documentary and other materials relating to the Competition.

This authorisation is granted without limitation in time or territory and applies to all present and future forms of use and media. Competitors and their partners shall not be entitled to any fee or other remuneration for such recording, photography, broadcasting, publication, reproduction or other authorised use.

By submitting the application form, the competitor or their legal representative confirms awareness that the Competition will be recorded and photographed and grants the Organiser the authorisations required to use recordings of the competitor’s performance.

This provision does not transfer any third-party copyright in music, choreography, costume design or other copyright-protected works.

Where a competitor or their partner is a minor, the required authorisations must be granted on their behalf by a parent or legal guardian. Personal data, photographs and recordings shall be processed in accordance with applicable data-protection legislation and the Organiser’s published privacy notice.

Photography and recording by other persons

Without the Organiser’s prior written permission, all professional or amateur photography and all audio, video, film or other recording using mobile telephones, cameras or any other recording equipment is prohibited during rehearsals, Competition performances, the Awards Ceremony and the Gala Ballet Concert.

The Organiser may make permission to photograph or record subject to payment of a fee and may determine the permitted location, time, scope and manner of recording, together with the conditions governing subsequent use. The holder of the permission must comply with the Organiser’s instructions and the venue’s house rules.

The Organiser alone shall decide on the public screening, publication, distribution or other use of official Competition photographs and recordings and on the grant of such rights to third-party natural persons or legal entities.

Rights to use music, choreography and other works

Competitors must obtain, themselves and in good time, all authorisations required for the public performance and use of the following copyright-protected or otherwise protected material:

    • music and audio recordings;
    • choreography;
    • costume designs;
    • stage designs;
    • video content;
    • other works or materials used in their performance.

Competitors shall bear all costs of obtaining such rights and authorisations. At the Organiser’s request, they must provide appropriate written evidence that the required authorisations have been obtained.

A protected choreography may not be performed, and protected music or any other protected work may not be used, without the rights holder’s permission. By submitting the application, the competitor warrants that all necessary rights and authorisations for the registered programme have been duly secured.
If a competitor uses a copyright-protected or otherwise protected work without the required authorisation, the competitor shall be solely liable for any claims by rights holders and for any other legal consequences. The Organiser may refuse or discontinue such a performance, remove it from the programme, or cease its publication or transmission.

Competition name, logo and trade mark

The production, advertising, distribution or sale of products and materials bearing the name, logo, trade mark, visual identity or other distinctive elements of the Portorož – Portorose International Ballet Competition is permitted only with the Organiser’s prior written consent.

For commercial use, the Organiser and the user must first enter into an agreement specifying the scope and manner of use, the duration of the authorisation and any applicable payment.

Liability for injury and damage

Competitors, their partners, coaches and other accompanying persons participate in the Competition at their own risk. The Organiser shall not be liable for injury, loss of personal property or other damage arising during the Competition, except where caused by the Organiser’s wilful misconduct or gross negligence.

All participants must maintain adequate health and accident insurance valid in the Republic of Slovenia throughout the Competition period.

International Press Centre and accreditation

An International Press Centre shall operate during the Competition. Journalists, press photographers and other media representatives may apply for accreditation before the Competition begins using the dedicated form published on the official Competition website.

Applications must include a letter of accreditation from the relevant editorial office and a portrait photograph of the applicant.

In exceptional circumstances, an accreditation request may also be submitted to the Competition Secretariat during the Competition. Approval shall depend on available capacity and organisational constraints.
As a rule, no more than one representative per media outlet shall be accredited.

Depending on the outlet’s needs and available capacity, the Organiser may exceptionally approve additional accreditations.

Accredited media representatives shall receive a special accreditation badge, which must be worn visibly. Accreditation permits access to Competition events only in locations and under conditions specified by the Organiser. It does not in itself authorise unrestricted photography, recording, live transmission or subsequent use of recordings.

For particular events, areas or types of recording, the Organiser may require additional written permission. All media representatives must comply with the Organiser’s instructions, access and recording restrictions, and the house rules of Avditorij Portorož – Portorose.
Interpretation of the Regulations

In the event of any discrepancy between the Slovenian version and a translated language version of the Regulations governing participation in the Portorož – Portorose International Ballet Competition 2027, the Slovenian text shall prevail and shall be legally binding.

20. PUBLIC ACCESS TO THE COMPETITION

All competition rounds, stage rehearsals, the Awards Ceremony and the Gala Ballet Concert shall be open to the public. Visitors must purchase the appropriate ticket for each Competition day or event, including stage rehearsals.

Competitors, their registered coaches and their accredited non-competing dance partners shall be granted free admission to stage rehearsals and all competition rounds. Admission shall be permitted only upon presentation of the valid accreditation issued on arrival at the Competition.

For each event, the Organiser shall allocate a limited number of seats to accredited competitors, coaches and non-competing partners. Complimentary admission shall be available only within the number of reserved seats and subject to the Organiser’s instructions.

Competitors not selected to appear in the Gala Ballet Concert, together with their coaches and non-competing partners, must purchase a ticket to attend the Gala Concert. The Organiser shall offer them tickets at a specially reduced price.

The Organiser shall assist organised visitor groups with ticket reservations and purchases and may offer special group discounts depending on group size and seat availability. Information and reservations are available by email at .

21. ORGANISED DAILY BALLET CLASSES FOR COMPETITORS

During the Competition, complimentary ballet classes led by distinguished teachers from Slovenia and abroad shall be organised for competitors each day.

Competitors appearing in the Competition programme on a particular day shall attend ballet class at 09:30 on the stage of Avditorij Portorož – Portorose. For competitors not appearing that day, ballet class shall be held at Magazin Grando.

REGISTRATION FOR BALLET CLASSES

Competitors must register separately for each ballet class using the registration form published on the official Competition website.

Registration may be submitted in advance but no later than three (3) hours before the class begins.

22. FREE STUDIO HIRE FOR INDIVIDUAL COMPETITOR REHEARSALS

Competitors may use a studio free of charge for individual rehearsals during the Competition. Priority shall be given to competitors not performing on the day concerned, and among them to those due to perform on the following day.

During the First and Second Competition Days, studio time shall be available to at least 40 competitors per day under the following minimum allocation:

    • competitors performing variations shall receive at least ten minutes of rehearsal time in the First Round;
    • competitors performing a pas de deux shall receive at least 20 minutes of rehearsal time in the First Round.

The available rehearsal period shall subsequently be extended according to the competition round and the number of competitors advancing. Competitors who do not advance shall no longer be entitled to complimentary studio use for individual rehearsals.

A sound system shall be available for rehearsals. Competitors must bring their music on a USB storage device, computer or mobile telephone.

23. FURTHER INFORMATION

1. GENERAL PROVISIONS

1.1.
The 1st Portorož – Portorose International Ballet Competition is organised by the Slovenian Ballet Artists Association and Avditorij Portorož – Portorose (hereinafter: the Organiser), with the support of the Ministry of Culture of the Republic of Slovenia and the Municipality of Piran. The Competition will take place from 13 to 18 July 2027. It is open to ballet dancers of all nationalities who meet the requirements set out in these Regulations.
1.2.
Competitors shall participate in three age categories:
JUNIORS: aged 15–18 on the opening day of the Competition, 13 July 2027;
YOUNG PROFESSIONALS: aged 19–22 on the opening day of the Competition, 13 July 2027;
SENIORS: aged 23–26 on the opening day of the Competition, 13 July 2027.
Competitors shall be adjudicated and ranked individually in all age categories. No separate categories based on gender shall apply.
1.3.
The Competition will consist of two competition rounds held at the open-air theatre of Avditorij Portorož – Portorose (the Amphitheatre) in Portorož. The stage is fitted with a wooden sprung floor covered with Harlequin Allegro vinyl dance flooring. The stage measures 20 × 15 metres, has a clear height of 10–12 metres and is not raked.
1.4.
There is no limit on the number of candidates who may enter the video pre-selection. On the basis of the video pre-selection, the Pre-selection Committee shall admit a maximum of 80 competitors across all three age categories to the First Round. The number admitted in each category is not predetermined and shall depend on the number and quality of applications. The Committee shall endeavour to ensure appropriate representation of all three age categories. The Organiser may admit fewer competitors due to the quality of applications, time constraints or organisational considerations.
1.5.
A maximum of ten competitors with the highest First-Round scores in each age category may advance to the Second Round – Final, subject to an overall maximum of 30 finalists and a minimum qualifying score of 75.00 points. Attaining the minimum score does not in itself guarantee advancement where more than ten competitors in a category score at least 75.00 points. In the event of a tie at the qualification threshold, the Jury shall decide which competitor advances in accordance with the Adjudication Rules.
1.6.
In either round, competitors may perform as soloists or in a pas de deux and may choose a different mode of performance in each round. Adjudication and ranking shall always be individual. In the Final, the contemporary choreography may be performed as a solo or duet. Competition partners may belong to the same or different age categories; each shall be adjudicated in their respective category.
1.7.
A competitor may perform a pas de deux or contemporary duet with a non-competing partner who performs outside the Competition.
1.8.
The Competition will also take place on the Amphitheatre stage at Avditorij Portorož – Portorose in adverse weather, as the entire Amphitheatre is protected by a tensile roof. In the event of heavy rain or strong winds, the Organiser may postpone the starting time of the official Competition programme on the day concerned.
1.9.
On the day following the final competition round, a Gala Ballet Concert will be held featuring competitors selected by the Jury alongside distinguished guest artists.
1.10.
All competitors’ stage rehearsals, all performances forming part of the official Competition programme and the Gala Ballet Concert shall be open to the public. Members of the Jury may not attend competitors’ rehearsals.

2. COMPETITION SCHEDULE

The schedule below is based on the maximum anticipated number of 80 competitors. Depending on the actual number of admitted competitors and other organisational circumstances, the Organiser may adjust the times of individual activities without changing the date of the Gala Ballet Concert.

Date

Time

Programme

12 July

Throughout the day

Arrival, registration and accommodation of competitors

13 July

09:30
11:30
20:30
21:00

Ballet class
Stage rehearsals
Opening Ceremony
First Round – Evening 1

14 July

09:30
11:30
20:30

Ballet class
Stage rehearsals
First Round – Evening 2

15 July

09:30
11:30
20:30
After the conclusion

Ballet class
Stage rehearsals
First Round – Evening 3
Announcement of finalists

16 July

09:30
11:30
20:30

Ballet class
Finalists’ stage rehearsals
Final – Evening 1

17 July

09:30
11:30
20:30
After the conclusion

Ballet class
Finalists’ stage rehearsals
Final – Evening 2
Jury deliberations

18 July

10:00
12:00
21:00

Ballet class for performers
Dress rehearsal
Awards Ceremony and Gala Ballet Concert

19 July

By 10:00

Departure of competitors and non-competing partners

3. COMPULSORY COMPETITION PROGRAMME

The programme requirements below apply equally to the JUNIORS, YOUNG PROFESSIONALS and SENIORS categories.

FIRST ROUND

At their discretion, competitors shall perform either a pas de deux from the classical ballet repertoire, comprising an adagio, variation and coda, or two classical variations selected from the compulsory Competition repertoire listed in Chapter 4. A competitor performing as a soloist shall perform both variations during the same Competition evening.

SECOND ROUND – FINAL

Each finalist shall perform both the classical and contemporary components of the programme during the same Competition evening.

Classical component: the finalist shall perform either a pas de deux comprising an adagio, variation and coda, or two classical variations. The finalist may not repeat in the Final the pas de deux or either of the two variations performed in the First Round. The classical programme for the Final must therefore be entirely different from that performed in the First Round. All classical works must be selected from the compulsory Competition repertoire listed in Chapter 4.

Contemporary component: the finalist shall perform a solo or duet contemporary choreography created within the preceding ten years, i.e. after 13 July 2017. The maximum duration is three minutes for a solo and five minutes for a duet, with a permitted tolerance of up to ten seconds.

ADDITIONAL CONDITIONS

Competitors selected by the Jury to appear in the Gala Ballet Concert must take part in the Awards Ceremony and the Gala Concert. The Jury shall also select the programme they are to perform. Competitors shall not be entitled to a performance fee for appearing in the Gala Concert.
Competitors shall attend the Competition with their own ballet costumes, rehearsal wear, ballet shoes and pointe shoes. They are responsible for preparing their costumes, hair and stage make-up, as the Organiser does not provide hairdressers, make-up artists or dressers.

4. COMPETITION REPERTOIRE

Competitors shall perform, at their discretion, one pas de deux (adagio, variation and coda) or two variations from the compulsory repertoire listed below.

Each pas de deux must be performed in full: entrée, adagio, male variation, female variation and coda.

Variations may also be selected from any of the pas de deux listed below.

A. Ch. Adam: GISELLE
    • Variation of Giselle, Act I, Chor. Petipa,
    • Pas de deux, Act I, Chor. Perrot, Coralli, Petipa
    • Entree and variation of Myrtha, Act II, Chor. Perrot, Coralli, Petipa
    • Grand pas de deux of Giselle and Albert, Act II, Chor. Perrot, Coralli, Petipa
A. Ch. Adam: LE CORSAIRE
    • Pas de deux of Medora and the Slave (Pas d’esclave), Act I, Chor. Petipa
    • Any variation from Odaliskque, Act II, Chor. Petipa
    • Grand Pas de deux, Act II, Chor. Petipa, music Drigo
J. Armsheimer: THE CAVALRY CAMP
    • Pas de deux of Maria and Peter, Chor. Petipa
J. Bayer: THE FAIRY DOLL
    • Female variation from Pas de trois, Chor. S.&N. Legat
F. Chopin: LES SYLPHIDES
    • Any variation, Chor. Fokine
R. Drigo: AWAKENING OF FLORA
    • Flora variation, Chor. Petipa
R. Drigo: THE PHARAOH’S DAUGHTER
    • Variation of First, Second or Third river from Act 3, Chor. Petipa
    • Aspicia variation from Act 2, Chor. Petipa
    • Fisherman variation, Chor. Petipa
    • Taor variation, Chor. Petipa
R. Drigo: THE TALISMAN
    • Pas de deux, Chor. Petipa
R. Drigo: HARLEQUINADE
    • Pas de deux, Chor. Petipa
B. Assafyev: THE FLAMES OF PARIS
    • Pas de deux, Chor. Vainonen
L. Delibes: COPPELIA
    • Pas de deux of Swanilda and Franz, Act III, Chor. Saint -Leon, Petipa
Glazounov: RAYMONDA
    • Any Raymonda variation, Chor. Petipa
    • Grand pas de deux of Raymonda and de Brienne, Act III, Chor. Petipa
C. Pugni: ESMERALDA
    • Grand Pas de deux, Chor. Petipa
    • Pas de deux of Diana and Acteon, Chor. Vaganova
C. Pugni: THE LITTLE HUMPBACKED HORSE
    • Male variation from Pas de trois, Chor. Gorsky/Petipa
    • Male variation from Finale, Chor. Gorsky/Petipa
C. Pugni: THE CARNIVAL OF VENICE
    • Pas de deux, Chor. Petipa
H. S. Løvenskjold: LA SYLPHIDE
    • Pas de deux of Sylphide and James, Act II, Chor. Bournonville
L. Minkus: LA BAYADERE
    • Variation of Gamzatti, Act II, Chor. Petipa
    • Variation of Solor, Act II, Chor. Petipa
    • Variation of Nikia, Act II, Chor. Petipa
      Any of three variations of the Shades, Act III Chor. Petipa
L. Minkus: DON QUIXOTE
    • Grand pas de deux of Kitri and Basil, Act IV, Chor. Petipa, Gorsky
    • Variation of Kitri, Act I, Chor. Petipa
    • Variation of the Queen of the Driads, Chor. Petipa
    • Variation of the Bridemade, Act III, Chor. Petipa
L. Minkus: PAQUITA
    • Variations from the pas de trois, Chor. Petipa
    • Variations from the Grand pas, Chor. Petipa or V. Gsovsky
    • Any other woman variation, Chor. Petipa
D. F. E. Auber: GRAND PAS CLASSIQUE
    • Grand Pas classique, Chor. Gsovsky
H. S. Paulli: NAPOLI
    • Variations, Chor. Bournonville
H. S. Paulli: THE KERMESSE IN BRUGES or THE THREE GIFTS
    • Pas de deux, Chor. Bournonville
C. Pugni: SATANELLA
    • Pas de deux, Chor. Petipa
E. Helsted: FESTIVAL OF THE FLOWERS IN GENZANO
    • Pas de deux, Chor. Bournonville
P. L. Hertel: LA FILLE MAL GARDÉE
    • Pas de deux of Lisa and Colin, Act II, Chor. Petipa, Gorsky
Saint-Léon: LA VIVANDIERE
    • Any of variation
P. I. Tchaikovsky: SWAN LAKE
    • Variation of Odette , Act II, Chor. Lev Ivanov
    • Variation from pas de trois, Act I, Chor. Petipa
    • Pas de deux of Odile and Siegfried, Act III, Chor. Petipa
P. I. Tchaikovsky: THE SLEEPING BEAUTY
    • Variation of Lilac Fairy, Act I, Chor. Petipa
    • Variation of Aurora, Act I, Chor. Petipa
    • Variation of Prince Charming (Desire), Act II, Chor. Petipa
    • Variation of Lilac Fairy, Act III, Chor. Petipa
    • Any of variations of precious stones: Gold, Silver, Diamond, Sapphire, Chor. Petipa
    • Pas de deux of Florina and the Blue Bird, Act III, Chor. Petipa
    • Pas de deux of Aurora and Desire, Act III, Chor. Petipa, Sergeev
P. I. Tchaikovsky: THE NUTCRACKER
    • Pas de deux of Sugar Plum Fairy and the Prince, Act II

According to the George Balanchine Trust, choreographic works by George Balanchine may not be performed at competitions. This reflects Mr Balanchine’s express wish, which the George Balanchine Trust continues to enforce strictly.

For all other choreographic works protected by copyright, competitors are responsible for obtaining the performance rights themselves.

Competitors must obtain, themselves and in good time, all authorisations and rights required to perform any other copyright-protected choreography at the Competition.

5. ADDITIONAL INSTRUCTIONS FOR SELECTING THE COMPETITION PROGRAMME

5.1.
Competitors must register a programme for each competition round in accordance with Chapters 3 and 4. A registered programme may be changed only with the Organiser’s prior written approval.
5.2.
In the First Round, competitors must perform either a pas de deux or two classical variations. In the Final, they must perform either a pas de deux or two classical variations, together with a contemporary choreography.
5.3.
A finalist may not repeat in the Final the pas de deux or either classical variation performed in the First Round. Irrespective of the chosen mode of performance, the entire classical programme for the Final must differ from that performed in the First Round.
5.4.
A competitor may change between performing as a soloist and performing in a pas de deux from the First Round to the Final. Competitors shall in all cases be adjudicated individually.
5.5.
A pas de deux may be performed by two competitors from the same or different age categories. A competitor may also perform with a non-competing partner, who is not subject to an age limit and shall not be adjudicated.
5.6.
Contemporary choreography must contain elements clearly distinguishable from classical ballet technique. It may be performed as a solo or duet and must have been created after 13 July 2017.
5.7.
A contemporary solo may not exceed three minutes and a duet may not exceed five minutes. A tolerance of up to ten seconds is permitted.
5.8.
A maximum of five props may be used in a contemporary choreography. All props must be declared in advance and must be capable of being brought onto and removed from the stage safely by the competitor.
5.9.
Where a contemporary choreography begins without musical accompaniment, its duration shall be measured from the first movement. Where it ends without music, its duration shall be measured up to the final movement.

6. MUSIC RECORDINGS

6.1.
Competitors must submit their music recordings using the dedicated form published on the official Competition website no later than fourteen (14) days before the Competition begins.
A competitor may request the replacement of an individual music recording provided that this does not constitute a change to the registered Competition programme. The request must be submitted to the Organiser no later than one (1) day before the Competition performance at which the recording is to be used.
6.2.
Competitors must submit high-quality audio recordings.
6.3.
Music recordings used at the Competition must meet the following technical requirements:
supported audio formats: MP3 with a bit rate of at least 128 kbps, or WAV at 16-bit/44.1 kHz;
although recordings are submitted to the Organiser before arrival, competitors must also bring copies on a USB storage device;
recordings must have an SNR greater than 65 dB (signal-to-noise ratio exceeding 65 decibels);
recordings must be free from audible defects such as clicks, noise, wow, flutter, applause, abrupt endings without a fade-out, and similar faults.
6.4.
Each item of music must be provided as a separate recording.
Each audio filename must clearly state:
the competitor’s full name and the title of the dance item;
the title of the music; and
the round in which it will be performed.

7. STAGE MANAGEMENT REQUIREMENTS

7.1.
Before the Competition begins, competitors must submit all stage-management requirements and instructions for each Competition performance using the dedicated form published on the official Competition website. These must include entrances and their order, lighting requirements, the cue for starting the music and any other information necessary for the correct presentation of the performance.
7.2.
Where lighting changes during a contemporary choreography are synchronised with the music or linked to particular movements, a representative of the competitor should be present at the stage manager’s or production desk during the performance to provide the responsible technical staff with timely and unambiguous cues for each lighting change.
A competitor attending without a representative must describe all such stage-management and lighting changes accurately, clearly and unambiguously in the stage-requirements form submitted in advance.

8. JURY

8.1.
Competitors shall be adjudicated by an international Jury composed of distinguished ballet artists.
8.2.
The Jury shall act in accordance with rules determined or approved by the Organiser. The Jury Rules form an integral part of these Regulations and shall be published on the official Competition website.
8.3.
Decisions of the Jury are final and may not be appealed unless the Jury has breached the Competition Regulations in reaching its decision. An appeal may concern only an alleged breach of the Regulations and not the Jury’s professional judgement, scores or artistic decisions.
A competitor or their authorised representative must submit any appeal to the Organiser in writing, with reasons, no later than one (1) hour after the official announcement of the results of the relevant round. The appeal must clearly identify the alleged breach and the provision said to have been violated. Late, unreasoned or oral appeals shall not be considered.
Once submitted to the Organiser, a Jury decision may not be changed except to correct an evident calculation or administrative error, or following a substantiated appeal in respect of an established breach of the Competition Regulations.
Appeals shall be decided by the Competition Tribunal, whose members shall be appointed by the Competition Organising Committee.
8.4.
No adjudicator may award points to a competitor who is their family member, with whom they otherwise have a close personal relationship, whom they have coached for this Competition, or who is a pupil, student or employee of a dance institution managed by that adjudicator. In such a case, the adjudicator must recuse themselves before adjudication begins; the method of calculating the score without that adjudicator’s vote shall be governed by the Adjudication Rules.

No adjudicator may award points to any competitor who is their family member or with whom they otherwise have a close relationship or whom they have coached for this Competition or who is a student or an employee at a dance institution managed by the adjudicator.

9. ADJUDICATION AND SCORING

9.1.
The Jury shall assess competitors using a 100-point scale, on which the lowest permissible score is 50 points. Jury members shall enter their scores into the computer system immediately after each competitor’s performance. Adjudication shall be conducted in accordance with separate Adjudication Rules adopted by the Organiser.
9.2.
Where a competitor performs two classical variations in the First Round, the Jury shall score each variation separately. The competitor’s final First-Round score shall be the average of the two scores.
9.3.
Where a competitor performs a pas de deux in the First Round, the Jury shall adjudicate the competitor individually and award one overall score for the competitor’s performance of the entire pas de deux.
9.4.
In the Final, the Jury shall score each Competition item separately. Where a finalist performs two classical variations and a contemporary choreography, the Final score shall be the average of all three scores. Where a finalist performs a pas de deux and a contemporary choreography, the Final score shall be the average of the two scores.
9.5.
The First-Round score shall not be carried forward to the Final and shall not affect the ranking of finalists following their Final performance. When deciding awards, the Jury shall consider the competitor’s performances in both competition rounds and the competitor’s overall average score, calculated from the final First-Round score and the final Final-round score.
9.6.
In the event of a tie between two or more competitors, the Jury shall determine the final ranking after deliberation and voting, based on technical quality, artistic interpretation, musicality and versatility across the performances.

10. DISQUALIFICATION

10.1.
By open vote and a majority of at least two thirds (2/3), the international Jury may disqualify a competitor who:
    • fails to perform a generally recognised or established version of a classical choreographic work;
    • does not use a recording of the original orchestral performance for the classical Competition programme;
    • uses an audio recording of insufficient quality that fails to meet the requirements of Chapter 6 of these Regulations – Music Recordings;
    • performs a programme that does not comply with the requirements and prescribed selection of the compulsory Competition programme; 
    • performs a contemporary choreography that exceeds the permitted duration by more than ten (10) seconds.

11. AWARDS

The Jury may award:

GRAND PRIX

one PORTOROŽ – PORTOROSE GRAND PRIX 2027, consisting of EUR 6,000, a gold medal and a diploma. The Grand Prix may be awarded to a competitor in any of the three age categories. The recipient of the Grand Prix shall not also receive the First Prize monetary award in their age category.

AWARDS

Category

First Prize

Second Prize

Third Prize

JUNIORS

EUR 2,000

EUR 1,500

EUR 1,000

YOUNG PROFESSIONALS

EUR 2,500

EUR 2,000

EUR 1,500

SENIORS

EUR 3,000

EUR 2,500

EUR 2,000

SPECIAL AWARDS OF THE ORGANISER

The Slovenian Ballet Artists Association may invite competitors or couples from any age category to perform at the International Ballet Gala Concert in Ljubljana in 2028 or 2029. The recipients shall be selected by the Artistic Council of the Slovenian Ballet Artists Association.
The Slovenian Ballet Artists Association may grant up to three competitors in each age category free participation in the DANCS Ballet Intensive 2028 International Summer Ballet Camp in Portorož. The recipients shall be selected by the Artistic Council of the Slovenian Ballet Artists Association.

ADDITIONAL AWARDS

a. PERFORMANCE AWARDS

The following awards may be presented:

    • Award for outstanding and versatile artistic interpretation of all items performed in the Final in the JUNIORS category: EUR 300 and a diploma for a soloist, or EUR 600 in total and two diplomas for a dance couple.
    • Award for outstanding and versatile artistic interpretation of all items performed in the Final in the YOUNG PROFESSIONALS or SENIORS category: EUR 300 and a diploma for a soloist, or EUR 600 in total and two diplomas for a dance couple.
    • Award for the best partner, whether competing or non-competing, who has participated in both competition rounds: EUR 300 and a diploma.
    • Awards for the youngest female and male finalists in the JUNIORS category: EUR 200 and a diploma for the youngest female competitor and EUR 200 and a diploma for the youngest male competitor.

b. CHOREOGRAPHY AWARDS

The following awards may be presented:

    • Award for the best performance of an original contemporary choreography created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.
    • Award for the best original contemporary choreography created within the preceding five years, i.e. after 13 July 2022, distinguished by the choreographer’s recognisable individual language, musicality, and clear and compelling storytelling: EUR 500 and a certificate.
    • Award for the best performance of an original contemporary choreography by a Slovenian choreographer, created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.
    • Award for the best performance of an original contemporary choreography set to music by a Slovenian composer and created within the preceding five years, i.e. after 13 July 2022: EUR 500 and a certificate.

All competitors participating in the Final shall receive a finalist’s diploma.

Natural persons and legal entities from Slovenia and abroad shall also be invited to establish and sponsor special awards. The Organiser will be pleased to consider their proposals and, subject to prior agreement, include them in the official list of awards. Recipients shall be selected by the international Jury or by the sponsors of the relevant awards.

All awards are individual and indivisible, except where an award is expressly designated for a dance couple.

The international Jury is under no obligation to award the Grand Prix, monetary prizes, special awards, diplomas or other distinctions if, in its judgement, the competitors’ performances do not attain the standard required for their award.

Where two or more competitors contesting the first three places achieve the same score, the Jury shall determine the final ranking on the basis of the artistic quality of their performances and decide who is placed first, second and third.

All monetary awards shall be paid in euros into the recipients’ bank accounts. Any applicable tax liabilities shall be calculated and withheld in accordance with the legislation of the Republic of Slovenia.

Monetary awards shall be transferred to recipients following their appearance at the Gala Ballet Concert of the Portorož – Portorose International Ballet Competition. Payment shall be made on the day following the Gala Concert.

Award recipients selected by the Jury to appear in the Gala Ballet Concert who fail to participate without the Organiser’s prior consent shall forfeit entitlement to all monetary awards.

12. ORDER OF APPEARANCE

12.1.
The order of appearance in both competition rounds shall follow the alphabetical order of competitors’ surnames, beginning with the initial letter selected by draw.
The draw shall be conducted using a dedicated form published on the official Competition website. Competitors shall receive a link to the form by email. The initial letter shall be drawn separately for the JUNIORS, YOUNG PROFESSIONALS and SENIORS categories.
12.2.
Participation in the draw is not compulsory. If competitors in a category do not select an initial letter within the period specified by the Organiser, the Organising Committee shall conduct the draw. The letter receiving the highest number of competitors’ votes shall be selected and shall determine the order of appearance in both competition rounds.
12.3.
Following completion of the online draw, each candidate shall receive an individual Competition number to be used throughout the Competition. Couples shall appear according to the Competition number assigned to the female dancer.
12.4.
Following the draw, the Competition Secretariat shall publish the First-Round schedule specifying the date, time and order of competitors’ appearances. The schedule shall be published no later than two months before the Competition begins.
12.5.
A competitor who is unable to appear at the scheduled time due to illness or another justified reason may, on the basis of a written and reasoned request, be authorised by the international Jury to perform at a later time. Illness must be substantiated by a medical certificate issued by a hospital or an appropriate medical diagnostic centre.
If the request is granted, the competitor may perform after the final competitor on the relevant Competition day, or no later than after the final competitor in the relevant round. If more than one competitor is affected, they shall appear in alphabetical order of surname.
The written request must be submitted to the Organiser as soon as possible and, as a rule, before the scheduled performance time. A performance time may be changed only before the relevant competition round has concluded; once the round has ended, a later performance is no longer permitted.

13. APPLICATION

The deadline for submitting an application for video pre-selection is 15 February 2027. Applications received after the deadline or applications that are incomplete shall not be considered.

Required application materials

Candidates must submit the online application form together with all required attachments and a link to their video recording. By submitting the application, the candidate confirms acceptance of these Regulations. The application must include:

    • a brief curriculum vitae in Slovenian or English;
    • a copy of a valid identity document or passport;
    • two high-quality photographs in stage costume and a dance pose, and two portrait photographs;
    • portrait photographs of the registered partner and coach, where accreditation is required;
    • proof of payment of the video pre-selection fee.

14. VIDEO PRE-SELECTION

14.1.
Video pre-selection is the preliminary admission stage used to determine which candidates will be invited to the live Competition in Portorož. It is not a competition round, and scores or assessments from the pre-selection shall not be carried forward to the First Round.

VIDEO RECORDING REQUIREMENTS

14.2.
The candidate must be clearly identifiable and must perform alone. The recording must contain one classical variation selected from the repertoire in Chapter 4 and one contemporary solo choreography. Only the candidate applying for the Competition may appear in the recording.
14.3.
Each required item must be recorded in one continuous take. Editing, visual effects, audio replacement, cuts, splicing and any alteration of playback speed are prohibited.
14.4.
The camera must remain stationary wherever practicable and must show the candidate’s entire body and the complete dance area throughout each performance. The recording must provide clear picture and sound of sufficient quality for professional assessment.
14.5.
The recording must be no more than twelve months old on the application deadline. The submitted link must be accessible without a password and must remain active until the pre-selection results have been announced. A recording that cannot be opened or assessed by the Committee may be treated as an incomplete application.

ASSESSMENT AND SELECTION

14.6.
The Pre-selection Committee, appointed by the Organiser, shall assess each candidate’s classical technique, placement and coordination, musicality, artistic expression, movement quality, stage presence and apparent readiness for the live Competition. The Committee shall assess only the material submitted by the application deadline.
14.7.
There is no limit on the number of candidates who may enter video pre-selection. The Committee shall select a maximum of 80 competitors across all three age categories for admission to the First Round. No fixed quota applies to an individual category. The Committee shall take account of the artistic and technical standard of applications and shall endeavour to ensure appropriate representation of all three categories. The Organiser may admit fewer than 80 competitors.
14.8.
The Committee’s decisions are final and not subject to appeal. Candidates shall be informed of the outcome no later than 15 March 2027. Individual scores, rankings or written evaluations from video pre-selection will not be issued.
14.9.
Candidates selected through video pre-selection shall confirm their participation in the live Competition no later than 30 March 2027, in accordance with the instructions provided in the Organiser’s notification of selection.
Admitted competitors must submit their complete Competition programme for both Competition rounds using the designated online form no later than 1 June 2027. The submitted programme may subsequently be changed only with the Organiser’s prior written approval.
The Competition participation fee of EUR 250.00 must also be paid no later than 1 June 2027.

Failure to confirm participation, submit the complete Competition programme or pay the Competition participation fee by the applicable deadline may result in the competitor’s place being withdrawn and offered to another candidate.

15. FINANCIAL CONDITIONS

15.1.
The video pre-selection fee is EUR 100.00 per candidate and must be paid when the application is submitted. The fee is non-refundable irrespective of the decision of the Pre-selection Committee, withdrawal of the application or the candidate’s non-participation.
15.2.
Competitors admitted to the First Round shall pay a Competition participation fee of EUR 250.00. The amount must be transferred to the bank account of the Slovenian Ballet Artists Association no later than 1 June 2027.
If the participation fee is paid by someone other than the competitor, the payment reference must state the name of the competitor on whose behalf it is paid. Participants shall bear all bank transfer charges.
The Competition participation fee must be paid in euros to the following bank account:

Nova Ljubljanska banka d.d.
Trg republike 2
1000 Ljubljana
Slovenia
IBAN: SI56 0201 0025 3272 398
BIC: LJBASI2X
Beneficiary: Slovenian Ballet Artists Association, Župančičeva 1, 1000 Ljubljana, Slovenia

The participation fee is non-refundable.

15.3.
All competitors and their partners shall bear their own travel expenses to and from Portorož.
15.4.
During the official accommodation period, from arrival on 12 July until departure on 19 July 2027, the Organiser shall cover the cost of bed and breakfast and lunch for all admitted competitors and their non-competing dance partners named in the application. This coverage shall apply throughout the stated period even if a competitor does not advance to the Final after the First Round. Dinner is not included and shall be paid for by the participants themselves.
15.5.
Accommodation capacity at the Portorož Student Dormitory shall be reserved as a priority for admitted competitors and their non-competing dance partners. Any remaining capacity shall be available, subject to availability, to coaches, teachers and other accompanying persons, who shall bear all of their own accommodation and meal costs.
15.6.
The indicative 2026 prices at the Portorož Student Dormitory are EUR 38.00 per person for bed and breakfast, EUR 10.00 for lunch and EUR 9.00 for dinner. The Portorož Student Dormitory reserves the right to increase its prices in 2027; the Organiser shall communicate the final prices once confirmed.
15.7.
If no places remain at the Portorož Student Dormitory for coaches, teachers or other accompanying persons, the Organiser may assist them in finding alternative accommodation; however, the accompanying person shall bear the full cost of the accommodation selected. Persons staying elsewhere may still order available meals at the Portorož Student Dormitory, subject to advance booking and payment.
15.8.
All participants are responsible for arranging their own health insurance and any other necessary or desired insurance coverage.
15.9.
Competitors shall bear the cost of medical treatment relating to chronic or other long-term illnesses. Treatment for acute illness and injury shall be covered by their own health insurance.
15.10.
All monetary awards shall be paid on the day following the Gala Ballet Concert.
15.11.
Dancers included in the Gala Concert programme who decide not to perform shall forfeit all entitlement to all monetary awards.

16. ORGANISATION

16.1.
The preparation, delivery and financing of the Competition shall be undertaken jointly by the Slovenian Ballet Artists Association and Avditorij Portorož – Portorose, with the valued support of the Ministry of Culture of the Republic of Slovenia and the Municipality of Piran, and through the generous sponsorship of Slovenian and foreign legal entities and natural persons.
16.2.
For the duration of the Competition, the Organiser shall operate a Competition Secretariat at Avditorij Portorož – Portorose, to which competitors may address all questions concerning the Competition’s organisation and proceedings.
All official notices, rehearsal schedules, performance schedules and results of individual competition rounds shall be displayed at a designated location in the foyer of Avditorij Portorož – Portorose. Information displayed there shall be deemed an official notice of the Organiser.
16.3.
The Organiser shall also publish all official notices, rehearsal and Competition schedules, and Competition results on the official website at https://ibc-portoroz.org.
16.4.
All admitted competitors must arrange their arrival so that they complete registration and all other requirements specified by the Organiser in good time on 12 July 2027. A competitor who, for a justified reason, cannot arrive on the official arrival date must obtain the Organiser’s prior written consent.
16.5.
Upon arrival, competitors must register in person at the Competition Secretariat and collect their accreditation and official information. The Organiser shall state the place and time of registration in the confirmation notice. A competitor who fails to register within the specified period and does not have the Organiser’s written approval for a later arrival may forfeit the right to participate.
16.6.
As the Competition takes place during the peak tourist season, the Organiser recommends that persons accompanying competitors and their partners arrange accommodation in good time. The Organiser may provide assistance in finding accommodation.
16.7.
The Organiser shall assist coaches and accompanying persons with reservations at the Portorož Student Dormitory, Sončna pot 20, 6320 Portorož.
Accommodation for coaches and accompanying persons must be requested using the online form available under BOOK ACCOMMODATION.
Upon receipt of the online accommodation request, the Organiser may confirm preferential accommodation rates. The number of nights available at preferential rates is limited and the offer remains valid only while the relevant accommodation is available.
Capacity at the Portorož Student Dormitory is limited; the Organiser therefore cannot guarantee accommodation to every applicant.
Coaches and other accompanying persons seeking the Organiser’s assistance must submit their request as early as possible, stating the required period of stay and the number and type of rooms required.
Requests shall be processed in the order received and according to available capacity. Where the requested accommodation is available, the applicant shall receive written confirmation. Submission of a request does not in itself constitute a confirmed reservation.
If the Portorož Student Dormitory is fully booked, the Organiser shall assist coaches and accompanying persons in finding reasonably priced alternative accommodation.
16.8.
Coaches and other accompanying persons for whom the Organiser is unable to confirm a reservation at the Portorož Student Dormitory must arrange their own accommodation. At their request, the Organiser may assist them in finding other reasonably priced accommodation.

17. TRANSPORT

All competitors, their partners, coaches and other accompanying persons shall bear their own travel expenses to and from Portorož, as well as any transport costs between their accommodation and the Competition venue during the Competition.

18. CONFIRMATION AND CORRESPONDENCE

By signing the application form, candidates confirm that they agree to all provisions of these Regulations.

After reviewing the submitted documents, the Organiser shall reply to all candidates by email no later than fifteen days after the application deadline, either confirming their participation or requesting supplementary application materials.

The Organiser shall identify competitors who require an entry visa for Slovenia or the European Union and shall issue them with an official invitation to the Portorož – Portorose International Ballet Competition 2027.

19. GENERAL PROVISIONS

Recording, photography, media publication and copyright

The Organiser shall hold the exclusive right to official photography and to audio, video, film and television recording of the entire Competition, including rehearsals, Competition performances, the Awards Ceremony, the Gala Ballet Concert and all other activities directly connected with the Competition.

The Slovenian Ballet Artists Association and Avditorij Portorož – Portorose shall have the exclusive right to enter into agreements with Slovenian and foreign television and radio broadcasters, production companies, press and photographic agencies, other media, and professional or amateur creators for:

    • photographing or recording the Competition in whole or in part;
    • live television, radio or online transmission;
    • subsequent broadcasting, reproduction and making recordings available to the public;
    • publication of photographs and recordings on websites, social media, online platforms and in other media;
    • production of television, radio, online, print, promotional, archival and other materials relating to the Competition.

The Organiser may grant all or part of these rights to third-party natural persons or legal entities.

Competitors and their partners authorise the Organiser to photograph them and make audio, video, film and television recordings of their rehearsals, performances and other activities connected with the Competition. They further authorise the use of their name, likeness, voice, biographical information and performance recordings for reporting on and promoting the Competition, live transmission, subsequent broadcasting, archiving, and the production and publication of promotional, documentary and other materials relating to the Competition.

This authorisation is granted without limitation in time or territory and applies to all present and future forms of use and media. Competitors and their partners shall not be entitled to any fee or other remuneration for such recording, photography, broadcasting, publication, reproduction or other authorised use.

By submitting the application form, the competitor or their legal representative confirms awareness that the Competition will be recorded and photographed and grants the Organiser the authorisations required to use recordings of the competitor’s performance.

This provision does not transfer any third-party copyright in music, choreography, costume design or other copyright-protected works.

Where a competitor or their partner is a minor, the required authorisations must be granted on their behalf by a parent or legal guardian. Personal data, photographs and recordings shall be processed in accordance with applicable data-protection legislation and the Organiser’s published privacy notice.

Photography and recording by other persons

Without the Organiser’s prior written permission, all professional or amateur photography and all audio, video, film or other recording using mobile telephones, cameras or any other recording equipment is prohibited during rehearsals, Competition performances, the Awards Ceremony and the Gala Ballet Concert.

The Organiser may make permission to photograph or record subject to payment of a fee and may determine the permitted location, time, scope and manner of recording, together with the conditions governing subsequent use. The holder of the permission must comply with the Organiser’s instructions and the venue’s house rules.

The Organiser alone shall decide on the public screening, publication, distribution or other use of official Competition photographs and recordings and on the grant of such rights to third-party natural persons or legal entities.

Rights to use music, choreography and other works

Competitors must obtain, themselves and in good time, all authorisations required for the public performance and use of the following copyright-protected or otherwise protected material:

    • music and audio recordings;
    • choreography;
    • costume designs;
    • stage designs;
    • video content;
    • other works or materials used in their performance.

Competitors shall bear all costs of obtaining such rights and authorisations. At the Organiser’s request, they must provide appropriate written evidence that the required authorisations have been obtained.

A protected choreography may not be performed, and protected music or any other protected work may not be used, without the rights holder’s permission. By submitting the application, the competitor warrants that all necessary rights and authorisations for the registered programme have been duly secured.
If a competitor uses a copyright-protected or otherwise protected work without the required authorisation, the competitor shall be solely liable for any claims by rights holders and for any other legal consequences. The Organiser may refuse or discontinue such a performance, remove it from the programme, or cease its publication or transmission.

Competition name, logo and trade mark

The production, advertising, distribution or sale of products and materials bearing the name, logo, trade mark, visual identity or other distinctive elements of the Portorož – Portorose International Ballet Competition is permitted only with the Organiser’s prior written consent.

For commercial use, the Organiser and the user must first enter into an agreement specifying the scope and manner of use, the duration of the authorisation and any applicable payment.

Liability for injury and damage

Competitors, their partners, coaches and other accompanying persons participate in the Competition at their own risk. The Organiser shall not be liable for injury, loss of personal property or other damage arising during the Competition, except where caused by the Organiser’s wilful misconduct or gross negligence.

All participants must maintain adequate health and accident insurance valid in the Republic of Slovenia throughout the Competition period.

International Press Centre and accreditation

An International Press Centre shall operate during the Competition. Journalists, press photographers and other media representatives may apply for accreditation before the Competition begins using the dedicated form published on the official Competition website.

Applications must include a letter of accreditation from the relevant editorial office and a portrait photograph of the applicant.

In exceptional circumstances, an accreditation request may also be submitted to the Competition Secretariat during the Competition. Approval shall depend on available capacity and organisational constraints.
As a rule, no more than one representative per media outlet shall be accredited.

Depending on the outlet’s needs and available capacity, the Organiser may exceptionally approve additional accreditations.

Accredited media representatives shall receive a special accreditation badge, which must be worn visibly. Accreditation permits access to Competition events only in locations and under conditions specified by the Organiser. It does not in itself authorise unrestricted photography, recording, live transmission or subsequent use of recordings.

For particular events, areas or types of recording, the Organiser may require additional written permission. All media representatives must comply with the Organiser’s instructions, access and recording restrictions, and the house rules of Avditorij Portorož – Portorose.
Interpretation of the Regulations

In the event of any discrepancy between the Slovenian version and a translated language version of the Regulations governing participation in the Portorož – Portorose International Ballet Competition 2027, the Slovenian text shall prevail and shall be legally binding.

20. PUBLIC ACCESS TO THE COMPETITION

All competition rounds, stage rehearsals, the Awards Ceremony and the Gala Ballet Concert shall be open to the public. Visitors must purchase the appropriate ticket for each Competition day or event, including stage rehearsals.

Competitors, their registered coaches and their accredited non-competing dance partners shall be granted free admission to stage rehearsals and all competition rounds. Admission shall be permitted only upon presentation of the valid accreditation issued on arrival at the Competition.

For each event, the Organiser shall allocate a limited number of seats to accredited competitors, coaches and non-competing partners. Complimentary admission shall be available only within the number of reserved seats and subject to the Organiser’s instructions.

Competitors not selected to appear in the Gala Ballet Concert, together with their coaches and non-competing partners, must purchase a ticket to attend the Gala Concert. The Organiser shall offer them tickets at a specially reduced price.

The Organiser shall assist organised visitor groups with ticket reservations and purchases and may offer special group discounts depending on group size and seat availability. Information and reservations are available by email at .

21. ORGANISED DAILY BALLET CLASSES FOR COMPETITORS

During the Competition, complimentary ballet classes led by distinguished teachers from Slovenia and abroad shall be organised for competitors each day.

Competitors appearing in the Competition programme on a particular day shall attend ballet class at 09:30 on the stage of Avditorij Portorož – Portorose. For competitors not appearing that day, ballet class shall be held at Magazin Grando.

REGISTRATION FOR BALLET CLASSES

Competitors must register separately for each ballet class using the registration form published on the official Competition website.

Registration may be submitted in advance but no later than three (3) hours before the class begins.

22. FREE STUDIO HIRE FOR INDIVIDUAL COMPETITOR REHEARSALS

Competitors may use a studio free of charge for individual rehearsals during the Competition. Priority shall be given to competitors not performing on the day concerned, and among them to those due to perform on the following day.

During the First and Second Competition Days, studio time shall be available to at least 40 competitors per day under the following minimum allocation:

    • competitors performing variations shall receive at least ten minutes of rehearsal time in the First Round;
    • competitors performing a pas de deux shall receive at least 20 minutes of rehearsal time in the First Round.

The available rehearsal period shall subsequently be extended according to the competition round and the number of competitors advancing. Competitors who do not advance shall no longer be entitled to complimentary studio use for individual rehearsals.

A sound system shall be available for rehearsals. Competitors must bring their music on a USB storage device, computer or mobile telephone.

23. FURTHER INFORMATION